Emily Davidow
links for 2009-06-10
Posted on 06.11.09 by Emily
  • If you’re the kind of person who prefers freedom to security, who feels more comfortable in a small room than a large one and who finds that happiness comes from matching your wants to your needs, then running to stand still isn’t where your joy lies. In New York, a part of me was always somewhere else, thinking of what a simple life in Japan might be like. Now I’m there, I find that I almost never think of Rockefeller Center or Park Avenue at all.

Filed under: links


Links du Jour: Being Here in the Long Now White Cloud
Posted on 06.01.09 by Emily
  • New ZeaLAND Day
    Today, June 1, 2009, is my first Queen’s Official Birthday in a Commonwealth realm. Apparently it’s mostly celebrated as the opening of New Zealand’s ski season, and there’s a proposal to make it “Hillary Weekend” after Sir Ed, commemorating his ascent of Mt Everest on 29 May 1953.
    New ZeaLAND Day
    I’m attracted to the idea of New ZeaLAND Day, “a hands-on re-appropriation of the meaning of the Queen’s Birthday Weekend Holiday to a day that celebrates our treasured land — in its true form — as a gift.”

    By celebrating our land on a national holiday, we declare its significant and sacred importance in culture. We propose that this day—‘New ZeaLAND Day’—can help build on the sense of connection and belonging for us as a nation with this place we have in common.

  • Robert Thurman and Danny Hillis on science, ethics and religion
    You might be surprised to find out how much science and Buddhism have in common. I am delighted to discover this recent conversation between Danny Hillis and Robert Thurman exploring science and Buddhism, ethics, the nature of time, shunyata (emptiness) and nothingness, evolution and reincarnation, mind, soul and artificial intelligence at the Skirball Center in honor of Darwin’s bicentennial anniversary.

    Ali Binazir wrote a great summary of the discussion, revealing Thurman’s consolation prize:

    He admitted that after 45 years of studying all this stuff, this night, as he was talking to us, he was still far from enlightened (and his wife and kids can attest to that). However, Buddhism says that someday, we will all achieve buddhahood. It may take longer for some, less for others. But once you’ve achieved buddhahood and ultimate enlightenment, that insight penetrates all of time, all the way to the past, to the present day. So “we will all enjoy this evening together as nirvana retroactively.”

  • A short history of the Internet by Robin Chase
    Every once in a while I catch a glimmer of our miraculous reality where all time and space coexists and we’re all interconnected, cocreating our dreams and I realize I’m in nirvana… the Internet. Robin Chase highlights what she loves about the Internet in a brief tour that will give you a flavor of the past and a taste of the future some of us want to create.
    • The Internet was designed to be open, evolving and participatory according to Steve Crocker.
    • From David Isenberg: it’s a miracle that’s public, with no master plan, allows us to innovate without asking permission, an acts as a market-discovery machine.
    • David Weinberger writes about Robin Chase’s vision of extending the internet’s promise and path.
    • Van Jacobson talks at Google in August, 2006 about the structure of networks since the telephone and a vision of content-centric networking. Which is a great background and introduction for the awesomeness of…
  • Google Wave
    What if we organized communication by objects of conversation rather than individual messages or threads? Here’s a glimpse of the near future of the Internet. Looking forward to working with the communication and collaboration tools unveiled at Google Wave’s Developer Preview.

This is my brain on XMediaLab
Posted on 05.26.09 by Emily

click to interact with the brain

Last Friday, I attended XMediaLab (X stands for “Cross”) in Auckland, a combination think-tank and creative workshop with a focus on the design, development and business of digital media ideas across multiple platforms. The talks were exciting, inspiring and filled my head with ideas. So much so that I’ve exported my brain of links and notes for later reference. Perhaps you’ll find them useful as well.

Here’s a summary of what stood out for me along with some possible points of entry:

Parmesh Shahani filled the room with the dynamic energy and pop cosmopolitanism of Mumbai along with tons of examples of emerging creative ecosystems and entry points to the Indian startup economy. I think about his framing questions a lot: “What does it means to be local in a global world? What does it meant to be global in a local world?” He and Vishal Gondal of India Games both extolled India’s virtue of jugaad – the can-do spirit of adaptive improvisational ingenuity which maps well to New Zealand’s “Number 8 Wire.”

“Games will save us all” emerged as a major recurring theme and wish. Zhan Ye illuminated the history and emerging trends and opportunities of the online game market in China and offered lessons for abroad. Susan Bonds of 42 Entertainment shared lessons from the ARGs (Alternative Reality Games) she’s produced, including ilovebees for Halo 2 and Year Zero for Nine Inch Nails. I loved her vision of the world as a platform for storytelling and method of writing a linear story then throwing it away and providing evidence that it actually happened. Rajat Paharia taught how to use game mechanics to create zombie armies.

Other themes included how we interact with “whatever wherever screens” (public/tv/personal) using distance and touch gestures. Dale Herigstad designed the interfaces for “Minority Report”, and now he’s designed some interesting new ways to visualize and organize time as well as space. He encourages the rapid sketching of ideas, blowing me away with what he created using Apple’s Keynote.

Getting down to business, it’s all about the hybrid media and business model with multiple revenue streams; no one’s thriving on ad revenue alone. Adrian Sexton addresses hybrid media from a media+entertainment perspective. Richard Cardran explores hybrid business models in depth, and there are lots of good examples in Parmesh Shahani and Zhan Ye’s talks. “Jadedly optimistic” (in his own words) Tim Chang of Norwest Partners gave a nutritionally dense talk on what he sees unfolding in the next few years and spilled some VC secrets.

Vincent Heeringa, the thoughtful director of HB Media which publishes the excellent Idealog, Good, and Inspire, shared how he launches stuff and also his concerns about the future of business, attention and longform writing with great photography in printed form distributed by post. He bravely open sourced his challenges and raised some great questions.

Juliette Powell addressed bravery directly in a moving talk that cut to the heart – investing in people. She highlighted ways to build and develop social and cultural capital and take responsibility for our dreams, even when funding’s hard to find.

Mike McGraw’s building bridges from people stories to product stories with lots of examples of what’s working now.

Even though the title was “commercialising ideas,” I was surprised that so few presentations addressed social and environmental concerns in any context. Parmesh Shahani and Juliette Powell stood out as exceptions, looking at companies that do well and good and creating value through authenticity.

The convergence of tools, media and knowledge available to all of us now is so awesome, harnessing it to create zombie armies hungry for more snack chips chaps my soul. I’d like to see and be commercializing ideas that improve lives and empower citizens rather than just entice consumers. Many of the lab project teams are doing just that, like BrightMind Labs, focused on improving lives of children with mental health issues, and Minimonos, a virtual world of fun for kids with core values of generosity and sustainability.

For what it’s worth (in any currency), this was the first conference where I’ve heard people qualify using US dollars as reference in measuring and comparing business: “it’s still worth something,” “…since we don’t have another standard.”

Overall, a fantastic day of learning from and connecting with some great creative people. If this touches your areas of interest and you have the opportunity to participate in a future XMediaLab, do it.

Full list of speakers linked to notes on their talks:
Susan Bonds, Richard Cardran, Tim Chang, Vishal Gondal, Andrew Hamilton, Vincent Heeringa, Dale Herigstad, Hugh Mason, Mike McGraw, Rajat Paharia, Juliette Powell, Greg Seuss, Adrian Sexton, Parmesh Shahani, Doug Whatley, Zhan Ye


Furniture Typeface
Posted on 05.20.09 by Emily

choice.png
furnituretypeface.png

Furniture Typeface by Cody Haltom, created for High Fashion Home in Houston.

Filed under: creativity and design and furniture and typography


Painting Workshop with Max Gimblett
Posted on 05.17.09 by Emily

maxgimblettworkshop.jpg

All I knew about Max Gimblett when I learned he was leading a sumi ink workshop in Wellington was that I liked his “Low Tide” installations at the Asian Contemporary Art Fair and Asia Society in New York and his lustrous signature quatrefoils.

I arrived at Capital E for Max Gimblett’s sumi ink painting workshop to see the chairs arranged in a circle that resembled an ensō, which would be our first painting exercise.

Max introduced himself as a mad monk (affiliated with the San Francisco Zen Center) whose monk name means “Diamond Brush Awareness”, and stated we were now a group, a Gestalt, and to speak only to the whole group and the centre of the circle, not to each other. Furthermore, he stated he is very intuitive, and any resistance would not be helpful. Of course, that just made me resist like crazy. But it all dissolved the moment we picked up our brushes and began our wild ride.

all mind... no mindWe began with the ensō [Max's, mine], and made several attempts each. Max paints like Tibetan Buddhist monks debate, animated with kinetic punctuations. He describes it as automatism, “one stroke bone” and “all mind and no mind”. Think very clearly of what you want do before you start, and then let go and free your mind while doing, “a little like making love.”

What was your face before the face you were born with?We expressed koans in ink. What was your face before the face you were born with? Then we dove into Jungian typologies and cognitive processes: thinking, feeling, intuition, and sensing. Which one is the hardest for you to reach? That one’s your shadow. What is your dominant process? (I’m an ENFJ, in case you’re curious.)

Between each exercise we held up our paintings for each other to see and comment upon into the circle. By the end of the hour, we’d produced quite a body of work and harmonized into a group. Afterwards he walked around and discussed our work with us individually; above are some video clips from the conversations. We also discussed the edge vs the centre, an idea Brian Sweeney explores in depth at nzedge.com and one that captivates me as a recent migrant from NY to NZ. His last advice to me was if things weren’t working, to add a little red: “Red always makes things zing.”

Max is currently has exhibitions of new work at Paige Blackie Gallery, “White Stone Clear Water,” in Wellington (19 May – 20 June 2009) and at Gow Langsford Gallery, “Full Fathom Five” in Auckland (5 May – 29 May 2009). His work was included in the Guggenheim Museum’s exhibition The Third Mind: American Artists Contemplate Asia (recently completed, but interesting presentation online).

NB: Good source for Chinese calligraphy brushes and Chinese Traditional Medicine in Wellington: Wellcare Chinese Medicine Shop 215, Left Bank, Cuba Mall, Wellington, 04 382 9451.

Filed under: art and consciousness and creativity and culture and people and senses


linking and thinking about collaboration and mobility
Posted on 04.17.09 by Emily

cmmnchargepoints.jpg

  • C,mm,n is a sustainable mobility concept; a collaborative open-source way of developing, manufacturing and using cars. C,mm,n 2.0 has just been released along with web based development platform. Participate in helping build car of the future in the development wiki. C,mm,n makes the blueprint of the c,mm,n car publicly available under an open-source licence, and just like open-source software, focuses on services around the product. (Thanks, Springwise.)
  • Interesting “Anatomy of Sharing” interview with Robin Chase on the Association of College and Research Librarians podcast, covering collaborative production, collaborative consumption, cooperative capitalism and excess capacity.
  • Adam Greenfield’s 14 Elements of networked urbanism resonate:
    1. From latent to explicit;
    2. From browse to search;
    3. From held to shared;
    4. From expiring to persistent;
    5. From deferred to real-time;
    6. From passive to interactive;
    7. From component to resource;
    8. From constant to variable;
    9. From wayfinding to wayshowing;
    10. From object to service;
    11. From vehicle to mobility;
    12. From community to social network;
    13. From ownership to use;
    14. From consumer to constituent.

Phonetic Alphabets: S as in Summertime
Posted on 04.13.09 by Emily

phonograms sign at invercargill museum, new zealand

I’m not sure whether it was “S as in Summertime” or “X as in Xylophone” that pushed my father over the edge, but by the time I finished talking with tech support, his face was bright red. “S as in Sierra! Everybody all over the world knows that,” he said.

I had no idea.

Actually, I had seen a copy of the military alphabet code or NATO phonetic alphabet taped to a friend’s refrigerator recently and laughed at him. Who talks like that? (Please forgive me!) I thought up words every time I spoke on the phone as a form of creative expression and mood indicator.

At least I am kind and resist the urge to say “A as in Aisle, B as in Bdellium, C as in Czar, D as in Djinn, E as in Eureka, G as in Gnome, H as in Honest, J as in Jicama, K as in Knock, M like Mnemonic, O for Ouija, P as in Pneumonia, Q for Qat, T as in Tsunami, W as in Who, X as in Xylophone…” OK, so I’ve used “X as in Xylophone.”

Here is the official military alphabet code/NATO phonetic alphabet: Alpha Bravo Charlie Delta Echo Foxtrot Golf Hotel India Juliet Kilo Lima Mike November Oscar Papa Quebec Romeo Sierra Tango Uniform Victor Whiskey X-Ray Yankee Zulu

Well it turns out everyone doesn’t talk like that. Or at least they haven’t always. I found the Phonogram chart image above in the Southland Museum and Art Gallery in Invercargill, New Zealand.

Here are some other examples:
Western Union Phonetic Alphabet
Adams Boston Chicago Denver Easy Frank George Henry Ida John King Lincoln Mary New_York Ocean Peter Queen Roger Sugar Thomas Union Victor William X-ray Young Zero

‘British A’: Amsterdam Baltimore Casablanca Denmark Edison Florida Gallipoli Havana Italia Jerusalem Kilogramme Liverpool Madagascar New_York Oslo Paris Quebec Roma Santiago Tripoli Uppsala Valencia Washington Xantippe Yokohama Zurich

Bombay telephone directory 1962 (also a later source): Army Brother Cinema Doctor English Father Gold Hotel India Jam King Lady Mother Navy Orange Paper Queen Raja Sister Table Uncle Victory Water X-ray Yellow Zero

Kenyan and Tanzanian telephone directories 1966: Africa Bombay Charlie Durban England Freddie George Harry India Japan Kenya London Mombasa Nairobi Orange Peter Queen Robert Sugar Tanga Uganda Victory William X-Ray Yellow Zanzibar

RAF 1942-43: Apple Beer Charlie Dog Edward Freddy George Harry In Jug/Johnny King Love Mother Nuts Orange Peter Queen Roger/Robert Suga Tommy Uncle Vic William X-ray Yoke/Yorker Zebra

What does your phonetic alphabet look like?

Echo November Juliet Oscar Yankee!

Filed under: about me and culture and observations and words


links for 2009-02-27
Posted on 02.28.09 by Emily

Filed under: links


This Website Was Blacked Out
Posted on 02.22.09 by Emily

If you tried to visit this site earlier today, you would have found it blacked out with the message below. Delighted to return it before the day is out, due to success of the blackout campaign for raising awareness. Kudos to Bronwyn Holloway-Smith and the Creative Freedom Foundation for their swift and effective blackout campaign and public demonstration at Parliament.

I’m glad to see the government’s chosen to delay Section 92A of the Copyright Act until March 27 and suspend it entirely if no agreement can be reached. It needs to be repealed. Here are reports from Computerworld, InternetNZ and The NZ Herald.

 

This Saturday, February 28th, Section 92A of the Copyright Act is due to come into force.

This website has voluntarily been taken down in protest against this law, which will be used to disconnect New Zealanders from the internet based on accusations of copyright infringement, without a trial and without evidence held up to court scrutiny.

May we be very clear: we do not support or condone copyright infringement or illegal downloads.

But this blatant disregard towards the basic human right to a fair trial is completely unjust and unworkable and it has the potential to punish New Zealand businesses and individuals where in fact no laws have been broken.

Similar laws have been rejected in the EU as being against “a fair balance between various fundamental rights“, rejected in the UK due to “impracticalities“, and rejected in Germany as being ‘Unfit for Germany, Unfit For Europe‘.

We don’t care who voted for the law in the first place. We just want it stopped. We call on the Minister responsible, National’s Simon Power, to do the right thing and repeal Section 92A immediately. Visit CreativeFreedom.org.nz to learn more

 


Fiona Hall: Force Field – Currency, Formerly
Posted on 02.02.09 by Emily

What is temporary and what is of enduring value? What is a true store of wealth? Fiona Hall’s “Force Field” exhibition at Wellington City Gallery blew me away and left me pondering those questions when I first saw it in July, 2008. It keeps coming back to mind as I read the news these days. (The exhibition is currently open at Christchurch Art Gallery through February 15, 2009. See it if you can!)

One piece, called “When My Boat Comes in,” (featured in the first part of the video), consists of a whole room filled with botanical leaf paintings on global bank notes past and present. The paintings each illustrate a plant that has economic significance to the land where the bank note is from: camellia sinesis for China, cacao for Brazil, cetraria islandica for Iceland, and so forth. Each bill has a visible ship representing the thread of trade that connects them all. Mesmerizing to look closely at so many currencies – countries – that no longer exist juxtaposed with the leaves of these plants – the leaves that are so ephemeral, the plants that have brought so much wealth to these countries, the trade that’s wasted the environments of so many the plants.

“Tender”, another unforgettable installation, consists of giant vitrines with meticulously crafted birds’ nests made from shredded U.S. dollar bills. Etched into one side of the glass is the serial number from each dollar used in it. On the other side is the bird species that corresponds with the nest. Fiona Hall talks about this piece in the second part of the video above.

Fiona Hall “Force Field” install and process photo set on Flickr
MCA Artist’s Voice Fiona Hall: Force Field video
Tender at Roslyn Oxley9 Gallery in Sydney


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