Emily Davidow
Lamas and Cameras in Bhutan
Posted on 10.13.07 by Emily

muensel: true love comes and goes

According to “Is That a Lama Behind the Camera,” Anupama Chopra’s great article in the New York Times on Bhutan’s budding film industry, last year a record 24 films were produced in the tiny Himalayan kingdom, population 700,000; in 2003 the total was only six. Even though there were only ten films produced in the country in 2005, delightful movie posters announced screenings in the theaters or public halls of every town I traveled through. The article describes a trend towards song-and-dance fantasy, but the movies that caught my eye had taglines that sounded far more realistic: “Muensel — True love comes… and goes,” “Ratho Namgay — bungling along a lifetime achievement of failure,” and “Kikhor — the drama of life begins at home, within the family.” It’s clear that while the dialogue is in Dzongkha and the costumes are traditionally Bhutanese, the themes are universal.

ratho mangay, a film by dechen dorjee: bungling along a lifetime achievement of failurekikhor: the drama of life begins at home within the family

Related posts:

  1. Kenro Izu: Bhutan: The Sacred Within
  2. Fiona Hall: Force Field – Currency, Formerly
  3. Death and the Chumby
  4. Links for 2007-04-02: Her Story is Strange
  5. on the love that dare not print its name in helvetica (or god forbid, arial)

Filed under: art and consumerism and creativity and culture and emily approved and fashion and funny and happiness and movies and observations and travel and video



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