How can indigenous wisdom be used to develop sustainable architectural and urban design strategies? Exploring Maori design principles with New Zealand Centre for Sustainable Cities.
Last weekend I stumbled on Helvetiki, this witty marriage of the ubiquitous hei-tiki of New Zealand and Helvetica of the world by Matthew Moriarty at Crawlspace gallery.
On the 40th anniversary of the Apollo 11 moon landing, experience the drama of Apollo 13: Mission Control, an innovative play that puts you right in the action.
Objects are printouts – not treasures, not things to stocpkpile. Our posessions are frozen social relationships. Think of them as hours of time and volumes of space. Reassess the objects in your space and time. What is most important?
Links and notes from XMediaLab in Auckland, a combination think-tank and creative workshop with a focus on the design, development and business of digital media ideas across multiple platforms.
Furniture Typeface by Cody Haltom, created for High Fashion Home in Houston.
Max paints like Tibetan Buddhist monks debate, animated with kinetic punctuations. He describes it as automatism, â€œone stroke boneâ€ and â€œall mind and no mindâ€. Think very clearly of what you want do before you start, and then let go and free your mind while doing, â€œa little like making love.â€
I’ve been seduced by a terroirist network known as New Zealand Artisan Honey, made up of passionate beekeepers producing honeys in small, quality batches from specific varietal sources among some of New Zealandâ€™s most spectactular locations.
Looking at C,mm,n, a sustainable collaborative mobility concept; “Anatomy of Sharingâ€ interview with Robin Chase; and Adam Greenfieldâ€™s 14 Elements of networked urbanism.
I’m not sure whether it was “S as in Summertime” or “X as in Xylophone” that pushed my father over the edge, but by the time I finished talking with tech support, he was about to explode.
If you tried to visit this site earlier today, you would have found it blacked out with the message below. Delighted to return it before the day is out, due to success of the blackout campaign for raising awareness. Kudos to Bronwyn Holloway-Smith and the Creative Freedom Foundation for their swift and effective blackout campaign and public demonstration at Parliament. I’m glad to see the government’s chosen to delay Section 92A of the Copyright Act until March 27 and suspend it entirely if no agreement can be reached. It needs to be repealed. Here are reports from Computerworld, InternetNZ and The NZ Herald. This Saturday, February 28th, Section 92A of the Copyright Act is due to come into force. This website has voluntarily been taken down in protest against this law, which will be used to disconnect New Zealanders from the internet based on accusations of copyright infringement, without a trial and without evidence held up to court scrutiny. May we be very clear: we do not support or condone copyright infringement or illegal …
Part three of a four part video looking at the work of artist Fiona Hall in the exhibition FORCE FIELD at the City Gallery Wellington. Fiona Hall City Gallery Wellington Art Artis When My Boat Comes In – detail, photo by cicadas , image by Fiona Hall.