Last weekend I stumbled on Helvetiki, this witty marriage of the ubiquitous hei-tiki of New Zealand and Helvetica of the world by Matthew Moriarty at Crawlspace gallery. Created in 2007, the 50th anniversary of the type face Helvetica and the release year of the Helvetica film that looks at the larger conversation about the way type affects our lives, Helvetiki had me wondering what is New Zealand type?

I could point you to the magnificent type specimens from Kris Sowersby and Joseph Churchward, and note that New Zealand type often looks like it’s subtly growing, organic, alive, like koru unfolding. And I’m excited to learn more at the Printing Types: New Zealand Type Design since 1870 exhibition (at Objectspace in Auckland 25 July – 12 September 2009) curated by Jonty Valentine to “remedy the invisibility of type in New Zealand,” featuring work by Joseph Churchward, Robert Coupland Harding, Tom Elliott, Mark Geard, Maarten Ideema, Narrow Gauge, Warren Olds, Bruce Rotherham, Shabnam Shiwan, Kris Sowersby, Luke Wood, and Jack Yan.

Last Friday, I attended XMediaLab (X stands for “Cross”) in Auckland, a combination think-tank and creative workshop with a focus on the design, development and business of digital media ideas across multiple platforms. The talks were exciting, inspiring and filled my head with ideas. So much so that I’ve exported my brain of links and notes for later reference. Perhaps you’ll find them useful as well.

Here’s a summary of what stood out for me along with some possible points of entry:

Parmesh Shahani filled the room with the dynamic energy and pop cosmopolitanism of Mumbai along with tons of examples of emerging creative ecosystems and entry points to the Indian startup economy. I think about his framing questions a lot: “What does it means to be local in a global world? What does it meant to be global in a local world?” He and Vishal Gondal of India Games both extolled India’s virtue of jugaad – the can-do spirit of adaptive improvisational ingenuity which maps well to New Zealand’s “Number 8 Wire.”

“Games will save us all” emerged as a major recurring theme and wish. Zhan Ye illuminated the history and emerging trends and opportunities of the online game market in China and offered lessons for abroad. Susan Bonds of 42 Entertainment shared lessons from the ARGs (Alternative Reality Games) she’s produced, including ilovebees for Halo 2 and Year Zero for Nine Inch Nails. I loved her vision of the world as a platform for storytelling and method of writing a linear story then throwing it away and providing evidence that it actually happened. Rajat Paharia taught how to use game mechanics to create zombie armies.

Other themes included how we interact with “whatever wherever screens” (public/tv/personal) using distance and touch gestures. Dale Herigstad designed the interfaces for “Minority Report”, and now he’s designed some interesting new ways to visualize and organize time as well as space. He encourages the rapid sketching of ideas, blowing me away with what he created using Apple’s Keynote.

Getting down to business, it’s all about the hybrid media and business model with multiple revenue streams; no one’s thriving on ad revenue alone. Adrian Sexton addresses hybrid media from a media+entertainment perspective. Richard Cardran explores hybrid business models in depth, and there are lots of good examples in Parmesh Shahani and Zhan Ye’s talks. “Jadedly optimistic” (in his own words) Tim Chang of Norwest Partners gave a nutritionally dense talk on what he sees unfolding in the next few years and spilled some VC secrets.

Vincent Heeringa, the thoughtful director of HB Media which publishes the excellent Idealog, Good, and Inspire, shared how he launches stuff and also his concerns about the future of business, attention and longform writing with great photography in printed form distributed by post. He bravely open sourced his challenges and raised some great questions.

Juliette Powell addressed bravery directly in a moving talk that cut to the heart – investing in people. She highlighted ways to build and develop social and cultural capital and take responsibility for our dreams, even when funding’s hard to find.

Mike McGraw’s building bridges from people stories to product stories with lots of examples of what’s working now.

Even though the title was “commercialising ideas,” I was surprised that so few presentations addressed social and environmental concerns in any context. Parmesh Shahani and Juliette Powell stood out as exceptions, looking at companies that do well and good and creating value through authenticity.

The convergence of tools, media and knowledge available to all of us now is so awesome, harnessing it to create zombie armies hungry for more snack chips chaps my soul. I’d like to see and be commercializing ideas that improve lives and empower citizens rather than just entice consumers. Many of the lab project teams are doing just that, like BrightMind Labs, focused on improving lives of children with mental health issues, and Minimonos, a virtual world of fun for kids with core values of generosity and sustainability.

For what it’s worth (in any currency), this was the first conference where I’ve heard people qualify using US dollars as reference in measuring and comparing business: “it’s still worth something,” “…since we don’t have another standard.”

Overall, a fantastic day of learning from and connecting with some great creative people. If this touches your areas of interest and you have the opportunity to participate in a future XMediaLab, do it.

Full list of speakers linked to notes on their talks:
Susan Bonds, Richard Cardran, Tim Chang, Vishal Gondal, Andrew Hamilton, Vincent Heeringa, Dale Herigstad, Hugh Mason, Mike McGraw, Rajat Paharia, Juliette Powell, Greg Seuss, Adrian Sexton, Parmesh Shahani, Doug Whatley, Zhan Ye

I had been seduced by a terroirist network known as New Zealand Artisan Honey, made up of passionate beekeepers producing honeys in small, quality batches from specific varietal sources among some of New Zealand’s most spectactular locations.

Sadly, most bees and beekeepers are not having such a romantic experience. I had noticed my previous honey brands losing their organic status as the varroa mite has spread south through New Zealand. There is evidence that CCD (Colony Collapse Disorder) has arrived in New Zealand, and it’s likely due to the strong neonicotinoids, a class of systemic insecticides which France, Italy and Switzerland have banned because of its effects on bees.

Once uploaded, people can bookmark, share and comment on it. Text is searchable so the document is easy to find. You can subscribe to an RSS feed of publications. Finally, you can also post and embed Issuu documents on any external site.

Now actually, it’s still not a joy to quote, because you apparently can’t deep link in there, and you can’t copy and paste text and do all the things you could do with a standard webpage (or PDF for that matter). But it’s so close… you can almost taste it. And you can just embed the whole darn thing… In any case, this is a wonderful way to share the experience of a printed thing (without the waste and expense of printing and shipping).

N.B. to those who like to tear, save and share the parts they like out of printed things… you’ll love Skitch.

Coming from a deep natural aquifer to the surface in Whakatane, New Zealand, Antipodes has real mouth appeal. It’s less aggressively carbonated than my usual brew, San Pellegrino, and it’s easy on the eyes too.

Dressed in classic Mrs. Eaves, Antipodes complements any table without overpowering it. The oviform bottle echoes the round beads streaming up when opened. It’s a happy thing to hold.

I know, I know… you have issues with bottled water. I do too. But a girl’s gotta have a vice, and until I can pour sparkling from the tap, I’ll order the bottle. (When out… technically I could make my own at home.) If it makes you feel any better, Antipodes is the first premium water to be certified carbon neutral in production and export, and they plan to be carbon neutral to any table, hotel room or home anywhere in the world by 2008.

Antipodes is currently served only in hand-picked great restaurants around New Zealand, hence their restaurant list is a good guide to the restaurants I want to try. You can order Antipodes by the case for home delivery in the United States through New Zealand Natural Goods, but at $60 for 12, I’d have to consider it a design element to justify it. Oh, wonderful! Oprah already did.

Her Story Is Strange

• Debbie Millman interviews Maira Kalman for her Design Matters podcast, introducing her subject with a story about the sign at right.

  On Vagueness: “The word itself defines the entire essence of being and how things are always confused and unknown and then you go ahead and make some kind of sense out of it, and then you make some kind of nonsense about it and it’s a full time job, just figuring it out.”

  Her last installment of “The Principles of Uncertainty” comes tomorrow, but the book is coming out in Fall (with a fabulous index!).

• Happy first birthday Photojojo, a delightful site/e-mail list that’s all about fun with digital photos. Inspired to try out today’s tip and tutorial on making Videoramas – full motion video panoramas.
• Scrapblog is another fun tool for creating and sharing multimedia scrapbooks or presentations online with photos from Flickr/Yahoo/Photobucket and videos from YouTube.
• Today’s Daily Om comes right on time: Centering And Expressing.
• Lonely Planet launches travel video social networking channel lonelyplanet.tv, and Charles Simonyi blogs about traveling beyond this lonely planet, following in the weightless footsteps of the amazing Anousheh Ansari. If you’re over the moon about space tourism or terraforming, you’ll want to attend Esther’s Flight School.
• If like Maira, you prefer to explore more vague territories, NYTimes points out you, along with everyone in China, can take “Topics in Philosophy of Language: Vagueness,” a graduate level course at M.I.T.
• Apple announced that they will sell EMI’s entire catalog of music without copy-protection from the iTunes store. Thank you! The other important news here is that the music will be higher quality, encoded at 256 kilobits per second rather than 128 kbps. I’ll be one of their best customers once again, and not have to feel bad about the superfluous CD and packaging waste generated just to enjoy music. (Which reminds me, dear Poptech, why can’t I buy the Antibabel EP by Yungchen Lhamo and Reggie Watts as downloadable files? Will you carbon offset my CD purchase and shipping?) Lately, I’ve been receiving most of my aural gratification from the Hype Machine.

Eyebeam is pleased to present a daylong Shopdropping Workshop led by the Anti-Advertising Agency. Shopdropping (the opposite of shoplifting) is a tactic used by artists and activists to clandestinely place objects in retail stores. “Dropped” objects are usually versions of consumer products altered or recreated to detourn the retail experience. Shopdropping is a fun and easy form of culture jamming, gently subverting dominant cultural forms to create new meanings.

Starting at noon, participants will receive a shopdropping overview, including artists’ shopdropping projects information and demonstrations of the necessary tools for shopdropping, and time will be given to test out some of the techniques discussed. Immediately following, participants will head into the field to help distribute a new, unreleased Anti-Advertising Agency project (as well as some creations of their own) into stores around Manhattan. This workshop will begin at Eyebeam, 540 W. 21st Street (between 10th & 11th Aves), and is open to the public free of charge.

 If you have a digital camera of any kind, please bring it.
Your hosts:
Steve Lambert – Eyebeam OpenLab Fellow, Steve is the founder of the Anti-Advertising Agency, and former undercover store investigator. Steve will share the secrets he learned on the job leading to the arrest of dozens of shoplifters. Learn the top three things store investigators watch for and how to shopdrop undetected! (He also knows a few things about art.)

Amanda Eicher – Anti-Advertising Agency “Art Director,” Amanda has been developing a project that will visually rejoin products and the labor that creates them. Drawing on two years of research in production factories in Central America, her project incorporates portraits of workers there with the products they have made here.

Marisa Jahn – is an interdisciplinary artist, curator, and educator whose work explores, constructs, and intervenes natural and social systems. Marisa is also the Curator of “Shopdropping: Experiments in the Aisle” and will entertain participants with an overview of artists shopdropping projects.

Eyebeam is an art and technology center that provides a fertile context and state-of-the-art tools for digital research and experimentation. It is a lively incubator of creativity and thought, where artists and technologists actively engage with culture, addressing the issues and concerns of our time. Eyebeam challenges convention, celebrates the hack, educates the next generation, encourages collaboration, freely offers its contributions to the community, and invites the public to share in a spirit of openness: open source, open content and open distribution.

Eyebeam’s current programs are made possible through the generous support of the Atlantic Foundation, Time Warner Youth Media and Arts Fund, the John D. and Catherine T. MacArthur Foundation, the Jerome Foundation, the Greenwall Foundation, the Experimental Television Center, the New York State Council on the Arts, a state agency, and the New York City Department of Cultural Affairs. For a list of past supporters, please visit www.eyebeam.org.

540 West 21st Street
New York, NY 10011
[T] 212.937.6580
[F] 212.937.6582
www.eyebeam.org

Hours: Tues-Sat, 12-6pm

Interesting Lexus 460 Degrees exhibition at 461 Fifth Ave featuring a Uchronia-like installation by Arne Quinze (controversially hybrid corporate-Burning Man), meditative videos by Pascual Sisto and photographs by Miranda Lichtenstein through Nov 30 worth checking out.

There’s also a new LS model in the gallery, but no mention of the hybrid (coming in 2008, apparently) or other high end green EcoDesignLifestyle ideas, products and places they’ve been promoting elsewhere around town.