I love Bruce Sterling’s closing talk for Reboot “action” edition conference that took place in Copenhagen on June 26. Bruce lays out his vision for the next ten years of dark euphoria, favela-chic, gothic high tech and stuffed animal frontiers. (His talk references a photoset, studies in atemporality, (featuring examples from Wellington when he was here speaking at Webstock on What comes after Web 2.0). Here’s what really resonated:

Objects are printouts – not treasures, not things to stocpkpile.

Our posessions are frozen social relationships. Think of them as hours of time and volumes of space.

Reassess the objects in your space and time. What is most important?

1. What you use all the time. Get the best possible common everyday objects. Your bed! You’re spending a third of your life in the thing – you should go out and buy the best bed you can get. The sheets, the pillows, they’re pretty high up there too. And a chair.
2. Things that are beautiful
• Is it so beautiful you’re going to show it to your friends?
• Is it on display?
3. Things that have emotional meaning
• Are you going to tell anybody else about it?
• Does it have a narrative?
• Or are you its slave?
4. Tools
• Have high technical standards
• Be very demanding
• Don’t make do with broken stuff

And everything else? (probably 80% of your stuff)?

1. Virtualize it.
2. Store the data.
3. Get rid of it.

I did a big reset one year ago moving from New York to New Zealand, and was surprised by the euphoria of liberation from so much stuff I thought I loved. Below are a few tools and resources that were awesome for virtualizing, storing data and getting rid of my stuff – perhaps they may help when it’s your turn.

For virtualizing books and almost anything with a barcode then managing and visualizing the data, Delicious Library makes it easy and fun. You hold the item’s bar code up to your camera, then see all the data about it. You can even see what the item resells for on Amazon and post it for sale there in a couple of clicks. It’s amazing to see my old library visually on the screen as I once knew it physically and to often be able to access the sections I want to reference through either Google or Amazon book search even though I no longer have the book physically before me.

If you’re in NYC and don’t have time or desire for selling on Amazon, The Strand pays fairly for used books, and Housing Works accepts donations that are tax deductible and for a great cause.

For furniture, electronics, etc, I took photos and made a catalog document linked to a live Google Docs spreadsheet that had up-to-date pricing and availability. Cocktail evenings (needed to empty my liquor cabinet) helped move the goods. Most items sold to friends, friends of friends and then lovely random people through Craigslist who would likely have become dear friends had I stayed. (We have the same taste!)

Purchasers arranged their own pickup/delivery, often after getting quotes from multiple providers through CityMove.

For the bulk of the other stuff that’s not exactly marketable yet still usable, Freecycle connected the stuff with the people who want it. As a safety for moving day, I selected a couple of large furniture items to donate to Housing Works in advance and scheduled a free pickup through them so any last items that didn’t sell could be donated and removed at the same time.

Last Friday, I attended XMediaLab (X stands for “Cross”) in Auckland, a combination think-tank and creative workshop with a focus on the design, development and business of digital media ideas across multiple platforms. The talks were exciting, inspiring and filled my head with ideas. So much so that I’ve exported my brain of links and notes for later reference. Perhaps you’ll find them useful as well.

Here’s a summary of what stood out for me along with some possible points of entry:

Parmesh Shahani filled the room with the dynamic energy and pop cosmopolitanism of Mumbai along with tons of examples of emerging creative ecosystems and entry points to the Indian startup economy. I think about his framing questions a lot: “What does it means to be local in a global world? What does it meant to be global in a local world?” He and Vishal Gondal of India Games both extolled India’s virtue of jugaad – the can-do spirit of adaptive improvisational ingenuity which maps well to New Zealand’s “Number 8 Wire.”

“Games will save us all” emerged as a major recurring theme and wish. Zhan Ye illuminated the history and emerging trends and opportunities of the online game market in China and offered lessons for abroad. Susan Bonds of 42 Entertainment shared lessons from the ARGs (Alternative Reality Games) she’s produced, including ilovebees for Halo 2 and Year Zero for Nine Inch Nails. I loved her vision of the world as a platform for storytelling and method of writing a linear story then throwing it away and providing evidence that it actually happened. Rajat Paharia taught how to use game mechanics to create zombie armies.

Other themes included how we interact with “whatever wherever screens” (public/tv/personal) using distance and touch gestures. Dale Herigstad designed the interfaces for “Minority Report”, and now he’s designed some interesting new ways to visualize and organize time as well as space. He encourages the rapid sketching of ideas, blowing me away with what he created using Apple’s Keynote.

Getting down to business, it’s all about the hybrid media and business model with multiple revenue streams; no one’s thriving on ad revenue alone. Adrian Sexton addresses hybrid media from a media+entertainment perspective. Richard Cardran explores hybrid business models in depth, and there are lots of good examples in Parmesh Shahani and Zhan Ye’s talks. “Jadedly optimistic” (in his own words) Tim Chang of Norwest Partners gave a nutritionally dense talk on what he sees unfolding in the next few years and spilled some VC secrets.

Vincent Heeringa, the thoughtful director of HB Media which publishes the excellent Idealog, Good, and Inspire, shared how he launches stuff and also his concerns about the future of business, attention and longform writing with great photography in printed form distributed by post. He bravely open sourced his challenges and raised some great questions.

Juliette Powell addressed bravery directly in a moving talk that cut to the heart – investing in people. She highlighted ways to build and develop social and cultural capital and take responsibility for our dreams, even when funding’s hard to find.

Mike McGraw’s building bridges from people stories to product stories with lots of examples of what’s working now.

Even though the title was “commercialising ideas,” I was surprised that so few presentations addressed social and environmental concerns in any context. Parmesh Shahani and Juliette Powell stood out as exceptions, looking at companies that do well and good and creating value through authenticity.

The convergence of tools, media and knowledge available to all of us now is so awesome, harnessing it to create zombie armies hungry for more snack chips chaps my soul. I’d like to see and be commercializing ideas that improve lives and empower citizens rather than just entice consumers. Many of the lab project teams are doing just that, like BrightMind Labs, focused on improving lives of children with mental health issues, and Minimonos, a virtual world of fun for kids with core values of generosity and sustainability.

For what it’s worth (in any currency), this was the first conference where I’ve heard people qualify using US dollars as reference in measuring and comparing business: “it’s still worth something,” “…since we don’t have another standard.”

Overall, a fantastic day of learning from and connecting with some great creative people. If this touches your areas of interest and you have the opportunity to participate in a future XMediaLab, do it.

Full list of speakers linked to notes on their talks:
Susan Bonds, Richard Cardran, Tim Chang, Vishal Gondal, Andrew Hamilton, Vincent Heeringa, Dale Herigstad, Hugh Mason, Mike McGraw, Rajat Paharia, Juliette Powell, Greg Seuss, Adrian Sexton, Parmesh Shahani, Doug Whatley, Zhan Ye

I had been seduced by a terroirist network known as New Zealand Artisan Honey, made up of passionate beekeepers producing honeys in small, quality batches from specific varietal sources among some of New Zealand’s most spectactular locations.

Sadly, most bees and beekeepers are not having such a romantic experience. I had noticed my previous honey brands losing their organic status as the varroa mite has spread south through New Zealand. There is evidence that CCD (Colony Collapse Disorder) has arrived in New Zealand, and it’s likely due to the strong neonicotinoids, a class of systemic insecticides which France, Italy and Switzerland have banned because of its effects on bees.

• C,mm,n is a sustainable mobility concept; a collaborative open-source way of developing, manufacturing and using cars. C,mm,n 2.0 has just been released along with web based development platform. Participate in helping build car of the future in the development wiki. C,mm,n makes the blueprint of the c,mm,n car publicly available under an open-source licence, and just like open-source software, focuses on services around the product. (Thanks, Springwise.)
• Interesting “Anatomy of Sharing” interview with Robin Chase on the Association of College and Research Librarians podcast, covering collaborative production, collaborative consumption, cooperative capitalism and excess capacity.
• Adam Greenfield’s 14 Elements of networked urbanism resonate:
  1. From latent to explicit;
  2. From browse to search;
  3. From held to shared;
  4. From expiring to persistent;
  5. From deferred to real-time;
  6. From passive to interactive;
  7. From component to resource;
  8. From constant to variable;
  9. From wayfinding to wayshowing;
  10. From object to service;
  11. From vehicle to mobility;
  12. From community to social network;
  13. From ownership to use;
  14. From consumer to constituent.

What is temporary and what is of enduring value? What is a true store of wealth? Fiona Hall’s “Force Field” exhibition at Wellington City Gallery blew me away and left me pondering those questions when I first saw it in July, 2008. It keeps coming back to mind as I read the news these days. (The exhibition is currently open at Christchurch Art Gallery through February 15, 2009. See it if you can!)

One piece, called “When My Boat Comes in,” (featured in the first part of the video), consists of a whole room filled with botanical leaf paintings on global bank notes past and present. The paintings each illustrate a plant that has economic significance to the land where the bank note is from: camellia sinesis for China, cacao for Brazil, cetraria islandica for Iceland, and so forth. Each bill has a visible ship representing the thread of trade that connects them all. Mesmerizing to look closely at so many currencies – countries – that no longer exist juxtaposed with the leaves of these plants – the leaves that are so ephemeral, the plants that have brought so much wealth to these countries, the trade that’s wasted the environments of so many the plants.

“Tender”, another unforgettable installation, consists of giant vitrines with meticulously crafted birds’ nests made from shredded U.S. dollar bills. Etched into one side of the glass is the serial number from each dollar used in it. On the other side is the bird species that corresponds with the nest. Fiona Hall talks about this piece in the second part of the video above.

• Fiona Hall “Force Field” install and process photo set on Flickr
• MCA Artist’s Voice Fiona Hall: Force Field video
• Tender at Roslyn Oxley9 Gallery in Sydney

Once uploaded, people can bookmark, share and comment on it. Text is searchable so the document is easy to find. You can subscribe to an RSS feed of publications. Finally, you can also post and embed Issuu documents on any external site.

Now actually, it’s still not a joy to quote, because you apparently can’t deep link in there, and you can’t copy and paste text and do all the things you could do with a standard webpage (or PDF for that matter). But it’s so close… you can almost taste it. And you can just embed the whole darn thing… In any case, this is a wonderful way to share the experience of a printed thing (without the waste and expense of printing and shipping).

N.B. to those who like to tear, save and share the parts they like out of printed things… you’ll love Skitch.

Waveplace is a non-profit starting an XO pilot in Port-Au-Prince, Haiti, in ten days [February 17th]. OLPC was going to be giving us laptops as part of the Get One Give One program, but it fell through, which is why I’m trying to get twenty XOs from elsewhere.

Your laptop may end up in the hands of one of the most needy children in the Western Hemisphere. The school where the laptop will be sent is run by Susie Scott Krabacher, who has been the Mother Theresa of Haiti for 15 years. In fact, a major motion picture is being made about her life right now, based upon her autobiography, Angels of a Lower Flight: One Womans Mission to Save a Country… One Child at a Time

You could really help by agreeing to sell us your laptop. We’ve only got ten days to get the laptops to Miami, as we’re leaving for Haiti on Feb 17th.

To see the kids that will get them, watch this video, which we shot last month.

Susie’s organization: Mercy and Sharing Foundation (Check on GuideStar.)

You can see a slideshow of the conditions and read an article by Susie from our newsletter.

One way or another, we’ll be in Haiti in ten days. [They're leaving for Haiti February 17th] Please help us bring more laptops.

Please pass the word, and if you have a laptop to sell, click contact on the Waveplace site.

Thank you!

I’m giving mine. David Weinberger’s giving his too. Timothy noted that Waveplace will update with news and video, some of which will include your XO laptop in the hands of the Haitian child who gets it.

Would love to have seen more transparency from the original One Laptop Per Child (OLPC) project and the G1G1 (Get One Give One) program regarding the children who receive it and connection between the giver and the getter. Nevertheless, it’s a thrill to see the news and pictures from the pilot in Ulaanbaatar, Mongolia.

I loved the idea of OLPC project and the G1G1 program from the start and still do (despite some bungling in execution and logistics). Yes to empowering children around the world to learn, connect, explore and experiment with their own connected computers! (Yes to nutrition and health initiatives also! Why would that be an either/or?) It feels great to participate.

It’s hard to remember any specific classroom lessons from that age, but I distinctly remember the joy of experimenting on a Commodore PET, guided by books of python BASIC programs and stacks of Make BYTE magazines. The excitement of discovering the logic by altering the code and testing whether the programs ran (and sense of accomplishment when they did) stoked my curiosity, imagination and love of learning. Not to mention the fun of making ASCII art… (Thanks, Dad!)

That feeling rushed back as I opened and beheld the XO for the first time. This adorable, mesh networking, environmentally friendly(ish), highly portable and rugged networked laptop delights the kid in all of us. The magic really starts to happen when multiple XOs mesh with each other. But as much as I wanted it not to be true, it is designed for kids. The mini-keyboard’s a dealbreaker for writing anything longer than short messages with my adult fingers.

Engineered to withstand extreme environmental conditions like high heat, humidity and dust, I figured this three pound membrane-sealed computer would be ideal for tossing in my solar backpack for jaunts to cafes (including spills) and mountain hikes. It excels in high light environments, and the swiveling display delights. I was intrigued to learn even though it’s completely sealed to the elements and accident-resistant, it’s also easy to access and replace parts.

If OLPC can make an XO that does that for around $200, how come Apple’s $1799 MacBook Air is so vulnerable to the elements and being dropped, yet impossible to open for something as simple as battery changing? Ok, ok, compromises must be made because it’s so thin. But the same vulnerability is true for the whole MacBook line and indeed, most laptop computers. (I know, the Toughbook. But aesthetics count, and you shouldn’t have to pay that much of a premium.)

What I’d really love is a powerful MacBook Air with XO’s ruggedness, openness and flexibility. An elegant and sophisticated yet slim and lightweight Fisher Price My First Mac case with Pro brains and easily replacable and recyclable components to cut down on the massive amounts of e-waste my gadget lust produces. Until then, I’ll settle (eagerly) for the MacBook Air, but if you have a laptop like that to sell or donate, please contact me.

So goodbye sweet XO, it’s been wonderful knowing you. Have fun with the new kid in Haiti and stay in touch!

XOXOXO
Emily