Related posts:

1. Love Letters from Argentina
2. Links for 2007-04-02: Her Story is Strange
3. The Principles of Uncertainty with Maira Kalman

Kabat-Zinn, author of Wherever You Go, There You Are, Coming to Our Senses, Full Catastrophe Living, and Arriving at Your Own Door, opened the conversation with a gorgeous poem from which the title of his latest book came:

The second poem Kabat-Zinn used was by a poet from whom the name of yours truly was inspired. (Thanks Mom and Dad):

During the discussion, he defined meditation as “attention in service of self-understanding and liberation.” He also used “awarenessing” as a verb in places where you might expect to hear “thinking” instead.

Both he and Bokara somehow started to blame technology for accelerating time, to which I respectfully disagree. Oddly enough, my brother gave me a book on just that topic this week, The Mayan Code, which asserts that time acceleration is a manifestation of the acceleration of consciousness. So perhaps it’s Jon Kabat-Zinn and Bokara who are responsible for this phenomenon through talks like these! Your thoughts (and awarenesses) welcome, of course.

Related posts:

1. Streams of Consciousness
2. Enjoying Calliflower with Peter Senge
3. Kenro Izu: Bhutan: The Sacred Within

Related posts:

1. links for 2006-12-19
2. links for 2006-06-26
3. links for 2008-03-06: so much WOW

Related posts:

1. links for 2008-02-10
2. links for 2008-02-04
3. Links for 2008-05-02

Location based MyMaps GeoBlogger

MyMaps GeoBlogger makes it easy to blog from Google Maps and create a geo-aware RSS feed. Perfect for adding a location context to your posts. Trend from chronological towards location-based.

(tags: locative blogging googlemaps location-based geo-aware geoblogging)

I fell in love (again) with New Zealand and Australia over the holidays. (I’m sorry too!) But I couldn’t believe people put up with their bits being metered. Even coming from laggard U.S., I felt like I was sucking bandwidth out of a cocktail straw.

Hotels charged $30 a day as an ante — a few YouTube shorts is all it takes to reach the daily limit, after which you pay for every mb. (Exception: Hotel So with free broadband wifi.) Forget about uploading all your photos. Cafes with wifi charged high fees too. Few non-geek friends had broadband at home.

Immediately after I returned to the U.S., things started looking up down under. Australia’s getting faster and cheaper broadband with a new undersea cable, and NZ’s making changes too. Good on ya!

Meanwhile, in the UpSide down, Time Warner’s starting to test pay-per-bit pricing. Other providers are watching closely. And still other providers are watching us closely. With immunity! Feh.

These developments get me really chuffed:

Facebookers net wi-fi – Wireless & BroadBand

FRUSTRATED by the NSW Government’s stalled free wi-fi project, a group of Facebookers have decided to start their own. It was inspired by futurist Mark Pesce (Mob Rules!) to create a free wireless network, which the group hopes will one day cover Sydney and make it easy for anyone to enjoy the convenience of free internet access for quick tasks such as checking email.

(tags: wireless WiFi socialnetworking networking Meraki free meshnetworking markpesce sydney australia)

Free Sydney Wireless – SydneyFreeNet

What if there was free Wifi across the whole city of Sydney, Australia? It is perfectly possible. And YOU can help make it happen. The Technology: the Meraki wireless mesh hardware, cheap, easy to set up and easier to share. Sydney is bootstrapping right now, and you can say “I was part of the free Wifi revolution in Sydney!” We are not related to Meraki in any way – we are a collection of individuals who are interested in changing the world, one neighborhood at a time.

(tags: free wifi wireless sydney australia, meraki mesh)

TheFreeNet – Aotearoa | Google Groups

We want to build a free community wireless network with our neighbours, using our spare bandwidth.

(tags: wellington nz newzealand freenet mesh meraki wifi free wireless aotearoa)

TheFreeNet – mesh wi-fi in Wellington metropolitan areas

At the end of the day you will be hard pressed to find individuals who can afford sharing their bandwidth in the current New Zealand broadband landscape. In this country there’s no concept of “unlimited” bandwidth. People are still being charged in plans that go from a minimum of 1GB (yes, believe me), going through 5GB, 10GB and so on.

(tags: nz newzealand aeotearoa wifi internet freenet wellington mesh meraki pay-per-bit bitlimits)

Ironic Sans: Idea: Scientist Valentines

Darwin, Sagan, Newton, Einstein and Curie do valentines greetings.

(tags: scientists valentinesday funny woo)

The Coming Ad Revolution – Esther Dyson

Social networks create a trusted environment for reaching high-value, frequent purchasers of airline tickets, electronics, clothes or other items. Where does that leave less-frequent buyers? Looking to their friends rather than to advertising for advice.

(tags: advertising socialnetwork facebook experts walledgardens communities)

Related posts:

1. links for 2006-07-29
2. links for 2008-02-04
3. links for 2008-02-10

The surreal romance of aristocratic expat Lucy and castaway Jack enchanted me as I strolled through Sydney’s Royal Botanical Gardens in early January, following their love story on a handheld HP GPS device preloaded with Anita Fontaine‘s spooky sweet Ghost Garden, part of the 2008 Sydney Festival. As I traveled through the gardens, certain locations would trigger animated scenes that revealed the story, set in the 1800s. I could feel the past, present and future all melting into one, and I got excited imagining the day when it be easy to create my own site-specific adventures for people to discover as they’re traveling through a space.

That day turned out to be less than a month away! Wherigo is a flexible gaming platform that Garmin is embedding in their new Colorado 400t Handheld GPS unit (Pictured at right. Thanks, Brady!) Wherigo Builder allows anyone to build alternate reality games, tour guides, local reviews, real estate marketing apps, scavenger hunts, pub crawls or Victorian love stories that are site-specific by mapping out zones, creating a story and then sharing it online. (Alternately, you could write it directly in Lua, a programming language whose name means “moon” in Portuguese and is also what World of Warcrafters use to build on top of their platform.) If you have a PocketPC Device, you can download the Wherigo Player and start playing.

Anything similar for the iPhone’s fauxGPS maps or soon to be true GPS?

For now, you can enjoy my Emily Approved Sydney recommendations in Google Maps and in Google Earth.

Related posts:

1. Exploring Consensual Hallucinations with Christian Nold
2. Links for 2007-04-02: Her Story is Strange
3. links for 2008-02-12: connect the dots la la la la

My day started off with some of the brilliant skits and songs that instilled in me an early and abiding love for letters, letterforms and language: Lower-case N, Standing on a Hill from Sesame Street, Easy Reader and the Adventures of Letterman from Electric Company. I love learning that was Morgan Freeman, Gene Wilder, Joan Rivers and Zero Mostel. I’m feeling the urge to indulge in an extended experience. (Thanks, Panopticist!)

Not long after, I discovered Hyperwords, an excellent FireFox extension that lets you select any word and translate it, look it up in a dictionary or thesaurus, shop it, search it, blog it, slice it through a tin can and still apply many more commands than I have time to explore right now. One especially handy feature is being able to select any currency amount and convert it on the fly. (Despite how painful it is to convert prices in [any currency] to U.S. dollars now.)

Related posts:

1. Links for 2007-04-02: Her Story is Strange
2. GhostGarden and More GPS Games
3. The Principles of Uncertainty with Maira Kalman

Kenro Izu: Bhutan, the Sacred Within
November 2, 2007–February 18, 2008
Rubin Museum of Art
150 West 17th Street, New York, NY 10011

What a treat to hear Kenro Izu talk with Owen Flanagan at the Rubin Museum of Art in conjunction with the opening of his exhibition of photographs, “Bhutan: The Sacred Within.” Kenro Izu’s been exploring and photographing sacred sites both natural and manmade for decades. To look at his landscapes of sacred places around the world is to enter them; you can almost smell and taste the air inside the image. In “The Sacred Within,” he turns his lens to the essential element that makes a place sacred: the people that revere it and hold it in their hearts.

Out of all the places he has photographed, Bhutan has especially captivated him, drawing him back six times over six years. Izu writes in the introduction to his accompanying book, Bhutan, “Traveling many years, I have not yet seen a place as peaceful as Bhutan, or a place affecting such a peacefulness within myself. If there is a place indeed named Utopia, this place may come the closest to it.”

Bhutan, known as the “Land of the Thunder Dragon,” is a small independent country of 700,000 people nestled in the Himalayan mountains between China, Tibet and India. What struck him on his first visit was how unique it was among Himalayan lands with its abundance of lush green trees and glacier fed rivers. He was moved by how the high altitude air was unusually moist and dense. And he was struck by how rich the people seemed, which he noted might sound odd considering the average GNP per capita is under US $1000, but he never saw anyone begging for money. Instead, people appeared well fed and well dressed, even happy.

Kenro Izu’s custom-built large format camera on display at Rubin Museum of Art, 2005. Photo by Emily Davidow

Izu travels with a custom-built large-format camera with a 14″ x 20″ negative that captures the density of the air and the quality of light. His large format platinum palladium prints appear illuminated from within, offering a depth that transcends two dimensions. That also makes them an ideal medium for portraits. Why did it take Izu such a long time to shift from the sacred places to the people that make them so? “I am shy of people. Can’t point the camera at them.”

Spontanaeity is another challenge with his turn-of-the-last-century technology. Every picture has to be staged, “like a diorama of a scene.” He described the process of making an image that looks like a candid of two schoolboys walking and looking back at him (Druk #537, Bumthang, Bhutan 2007). He had seen them walking to school near Tamshing Lhakhang in the morning and envisioned the shot, but they were in a rush to get to school, so he set up to meet them after school and take the photograph.

While the images may not be spontaneous, Izu pointed out how un-self-conscious, authentic and neutral his subjects seemed. This neutrality is something Izu aspires to himself, as he repeated in several ways the idea that “I always want to be myself, not bigger or smaller.” To Izu, it seems the Bhutanese have found a middle way between the precious modesty of the Japanese and the super-sized egos of America.

Is this lack of self-consciousness due to inner peace, Buddhist ideas of the self, or freedom from the continuous stream of marketing images in America and Japan (where Izu, now a Brooklyn resident, was born)? Bhutan just launched television and Internet service in 1999, and the Bhutanese are consciously creating media that reflects their values and culture rather than relying on foreign imports. Even the movie theaters are filled with steady streams of Bhutanese feature films. I had hoped we’d get more deeply into this in discussion with Flanagan, a professor of psychology, brain sciences and neurobiology at Duke University, as well as the author of The Really Hard Problem: Meaning in a Material World and the paper ‘The Bodhissattva’s Brain: The Neuroscience of Wisdom, Virtue, and Happiness,’ but I’ll have to check those out along with his talks online from the Mind and Reality Symposium to learn more about his thoughts on these issues.

Kenro Izu, Druk # 545 Jambay Lhakhang, Bumthang, Bhutan, 2007, Carbon pigment print, 52 x 36 in.

Izu introduced Bhutan’s progress indicator of GNH (Gross National Happiness), declared more important than GDP (Gross Domestic Product) by King Jigme Khesar Namgyel Wangchuck as early as 1986. According to the Bhutanese government’s definition, Gross National Happiness depends upon four main pillars: economic self-reliance, environmental stewardship, cultural preservation and good governance.

Cultural preservation refers to the teachings and practice of Buddhism that infuse every aspect of life and value wisdom and compassion*. It also encompasses aesthetic values of beauty and harmony. (China’s a PC, Bhutan is a Mac.) Izu captures many of the Bhutanese traditions in his portraits: the indigenous ceremonial Tsechu masks and costumes, tulkus (reincarnated rinpoches), meditating monks, and families enjoying each other.

Flanagan brought up Aristotle’s observation that if you ask people what is the greatest good, everyone will agree that it is happiness. But if you ask people to define happiness, everyone offers up a different answer. He also noted that while the people in Izu’s portraits looked happy, they weren’t exuding a feeling of “happy happy joy joy” so much as serenity and equanimity. He framed the discussion asking Izu whether it was a real happiness, and if so, what is that happiness?

Izu offered a more personal definition from his guide in Bhutan, along with a lively photo exemplifying it: “three generations under one roof, tea, rice and healthy, enjoying life.” Both Izu and Flanagan seemed wistful about the depth and strength of these familial relationships in contrast to the dispersed nuclear families of contemporary Japan and America. Asked but not answered: Is that the price of modernity? And is what the Bhutanese have impossible in the modern world?

As I viewed Izu’s exhibition, I couldn’t help thinking about the portraits of Edward S. Curtis, a photographer who used similar methods to document Native American people. Curtis set out to catalog their ceremonies, beliefs, daily life and landscapes in twenty volumes of “The North American Indian” before it was too late. Although the conditions of the Bhutanese people in 2007 are vastly different from those of the Native American people of 1907, there are striking visual parallels between the black and white images depicting the spiritual life of both cultures with their exquisite textiles, shamanistic masks, and ritual objects, taken by admiring outsiders. Will Bhutan lose its culture as it opens itself up to global communications and technology, foreign travelers and investment, and new forms of government or can it hold on to its sacred within?

Of course, awareness of both impermanence and the interconnectedness of all things is central to their Buddhist teachings. The last image Izu presented illustrated that with an image of a young girl in a field of cosmos flowers (Druk #444, 2006). He saw this herbaceous perennial in pink, red and white dancing all over the foot of the Himalayan mountains and figured it must be the national flower of Bhutan. What a surprise to learn the species was introduced only 50 years ago by an Irish doctor who brought antibiotics to Bhutan along with a single bag of cosmos flower seeds to remind him of home. He couldn’t have imagined these lovely blossoms would find such an ideal combination of soil and climate in the Himalayas.

Indeed, who can predict what will take root and flourish between the cross-pollination of cultures? May the seeds of GNH — oh, let’s go for GGH (Gross Global Happiness) — take root and blossom in hospitable growing media as people encounter the concept. Izu’s exhibition is a beautiful place to start.

* The finer points of how to manifest GNH are continually unfolding and will be explored at the Third International Conference on Gross National Happiness held in Bangkok, Thailand November 22-28, 2007. The ongoing discussion can be followed at the Centre for Bhutan Studies.

Related posts:

1. Lamas and Cameras in Bhutan
2. Bhutan: A Preview
3. Links for 2007-04-02: Her Story is Strange

Do you engage with pleasure, curiosity, fun and celebration (with time for naps) in the face of the tragedy of the day? Do you want to? This is the book for you.

Maira Kalman’s delightful new release, The Principles of Uncertainty, turns out to be a heavy book. Mostly physically. Kalman says it’s because the book is extensively inked: “all the colors are in there.” Even if you’ve been following this year-long illustrated journal at the New York Times, the high-resolution images of her gouache paintings are undeniably gorgeous in print. (Even more so in person at the Julie Saul Gallery through November 24, 2007.)

Aside from the inherent pleasures of the portable printed format, the book offers a few bonuses to those already familiar with the images:

• A pull out “Map of the United States” by Kalman’s beautiful mother, Sara Berman, with instructions to: “Either put it on the wall or put it back in the book. If you put it back in the book, it may one day fall out when someone browses through the book and it will become a thing that falls out of the book.”



• An appendix filled with “things that fall out of books” and a fabulous collection of numbers in the wild. (Kalman would love the Numbers fonts by Hoefler & Frere-Jones.)
• Luscious liner page images of mosses of Long Island.
• An index that’s amusing on its own, featuring laughter, love (as a guarantee of sanity), finding self, forgetting, forgiveness, hairdos, dreams (bad, fragment of, good, malaise after bad, no answer to), and even happiness. One thing you won’t find in the index is “inner peace” (p. 245-6), a phrase that seems to trigger its opposite for Kalman. (What is that about?)

Kalman celebrated the release of the book at the New York Public Library with a 37.5 minute conversation with Paul Holdengräber, followed with 3 songs composed by Nico Muhly, and cake instead of questions. Instead of questions from the audience, that is. All Maira’s works wrestle with the eternal existential dilemma: “We are here now, and we are not going to be here at a certain point, so what is that about?” and the natural corollary, “What would we do all day long, forever?”

I don’t know what we’ll do forever, but I highly recommend checking out how Kalman observes the world, “making sense and then nonsense” out of it with grace, gratitude and joie de vivre, today.

• The Principles of Uncertainty book on Amazon
• The Principles of Uncertainty blog on NYT
• NYT’s video highlights of the celebration at the NYPL

Related posts:

1. Links for 2007-04-02: Her Story is Strange
2. The New French and Other Neighborhood Characters
3. links for 2007-05-23: places we love

On every street in Buenos Aires, I fell in love with the handpainted signs and lettering. Delighted to discover these fonts below by Alejandro Paul that capture the Argentinian style and energy. Paul is one of the founders of Sudtipos project, the first Argentinian type foundry collective, whose site is filled with fonty goodness.

Regarding the adorable pinguinos, I didn’t see any in Argentina, but here are some pictures of the pinguinos of Patagonia (Chile) and the Galapagos (Ecuador).

Related posts:

1. on the love that dare not print its name in helvetica (or god forbid, arial)
2. links for 2007-03-03
3. links for 2008-02-21: girls love fonts