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<channel>
	<title>Emily Davidow &#187; movies</title>
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	<link>http://www.emilydavidow.com/wp</link>
	<description>design, technology, culture and nature</description>
	<lastBuildDate>Mon, 01 Aug 2011 09:27:57 +0000</lastBuildDate>
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		<title>links for 2008-02-04</title>
		<link>http://www.emilydavidow.com/wp/2008/02/links-for-2008-02-04/</link>
		<comments>http://www.emilydavidow.com/wp/2008/02/links-for-2008-02-04/#comments</comments>
		<pubDate>Mon, 04 Feb 2008 14:34:17 +0000</pubDate>
		<dc:creator>Emily</dc:creator>
				<category><![CDATA[activism]]></category>
		<category><![CDATA[art]]></category>
		<category><![CDATA[better world]]></category>
		<category><![CDATA[consumerism]]></category>
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		<guid isPermaLink="false">http://www.emilydavidow.com/wp/2008/02/04/links-for-2008-02-04/</guid>
		<description><![CDATA[Unevenly Distributed: Production Models for the 21st Century Mark Pesce illuminates how the audience became not just the distributors but the producers of their own content, and have brought down the walls which separate pros from amateurs. Then he outlines the future: how the value of media is based on salience. (tags: mustread media production [...]]]></description>
			<content:encoded><![CDATA[<ul class="delicious">
<li>
<div class="delicious-link"><a href="http://blog.futurestreetconsulting.com/?p=42">Unevenly Distributed: Production Models for the 21st Century</a></div>
<div class="delicious-extended">Mark Pesce illuminates how the audience became not just the distributors but the producers of their own content, and have brought down the walls which separate pros from amateurs. Then he outlines the future: how the value of media is based on <strong>salience</strong>.</div>
<div class="delicious-tags">(tags: <a href="http://del.icio.us/behomeny/mustread">mustread</a> <a href="http://del.icio.us/behomeny/media">media</a> <a href="http://del.icio.us/behomeny/production">production</a> <a href="http://del.icio.us/behomeny/film">film</a> <a href="http://del.icio.us/behomeny/television">television</a> <a href="http://del.icio.us/behomeny/broadcast">broadcast</a> <a href="http://del.icio.us/behomeny/abundance">abundance</a> <a href="http://del.icio.us/behomeny/hyperabundance">hyperabundance</a> <a href="http://del.icio.us/behomeny/salience">salience</a> <a href="http://del.icio.us/behomeny/digitalmedia">digitalmedia</a> <a href="http://del.icio.us/behomeny/distribution">distribution</a> <a href="http://del.icio.us/behomeny/piracy">piracy</a> <a href="http://del.icio.us/behomeny/wblcp">wblcp</a>)</div>
</li>
<li>
<div class="delicious-link"><a href="http://www.kk.org/thetechnium/archives/2008/01/better_than_fre.php">Kevin Kelly &#8212; The Technium &#8212; Better than Free</a></div>
<div class="delicious-extended">When copies are free, you need to sell things which can not be copied. Well, what can&#8217;t be copied? First, <strong>trust</strong>. Eight more generatives (qualities that must be grown, generated, cultivated or nurtured) better than free: <strong>immediacy</strong>, <strong>personalization</strong>, <strong>interpretation</strong>, <strong>authenticity</strong>, <strong>accessibility</strong>, <strong>embodiment</strong>, <strong>patronage</strong>, <strong>findability</strong>.</div>
<div class="delicious-tags">(tags: <a href="http://del.icio.us/behomeny/abundance">abundance</a> <a href="http://del.icio.us/behomeny/generosity">generosity</a> <a href="http://del.icio.us/behomeny/IP">IP</a> <a href="http://del.icio.us/behomeny/economy">economy</a> <a href="http://del.icio.us/behomeny/free">free</a> <a href="http://del.icio.us/behomeny/digital">digital</a>)</div>
</li>
<li>
<div class="delicious-link"><a href="http://www.nytimes.com/2008/02/04/world/asia/04china.html?ex=1359867600&#038;en=aba0467cac42f7c8&#038;ei=5124&#038;partner=delicious&#038;exprod=delicious">Great Firewall of China Faces Online Rebels</a></div>
<div class="delicious-tags">(tags: <a href="http://del.icio.us/behomeny/censorship">censorship</a> <a href="http://del.icio.us/behomeny/China">China</a> <a href="http://del.icio.us/behomeny/internet">internet</a> <a href="http://del.icio.us/behomeny/politics">politics</a> <a href="http://del.icio.us/behomeny/firewall">firewall</a> <a href="http://del.icio.us/behomeny/global">global</a>)</div>
</li>
<p><img src="http://www.emilydavidow.com/wp/wp-content/uploads/2008/02/skitched-20080204-225158.jpg" width="480" height="275" alt="skitched-20080204-225158.jpg" alt="Laser-lit pollution stream from Salmisaari power plant in Helsinki"/></p>
<li>
<div class="delicious-link"><a href="http://www.pixelache.ac/university/index.php?option=com_content&#038;task=view&#038;id=22&#038;Itemid=13">Illuminating Pollution - Pixelache Helsinki 08</a></div>
<div class="delicious-extended">From 2.22-29, 2008, a laser ray will trace the  emissions of the Salmisaari power plant in Helsinki highlighting current levels of electricity consumption by local residents,  letting people monitor pollution as they&#8217;re producing it.</div>
<div class="delicious-tags">(tags: <a href="http://del.icio.us/behomeny/visualization">visualization</a> <a href="http://del.icio.us/behomeny/art">art</a> <a href="http://del.icio.us/behomeny/energy">energy</a> <a href="http://del.icio.us/behomeny/pollution">pollution</a> <a href="http://del.icio.us/behomeny/public">public</a> <a href="http://del.icio.us/behomeny/environmental">environmental</a> <a href="http://del.icio.us/behomeny/ethics">ethics</a> <a href="http://del.icio.us/behomeny/measuring">measuring</a> <a href="http://del.icio.us/behomeny/consciousness">consciousness</a> <a href="http://del.icio.us/behomeny/responsibility">responsibility</a> <a href="http://del.icio.us/behomeny/industrial">industrial</a>)</div>
</li>
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		<title>Bhutan: A Preview</title>
		<link>http://www.digitalelements.com/wp/2007/11/07/bhutan-a-preview/</link>
		<comments>http://www.digitalelements.com/wp/2007/11/07/bhutan-a-preview/#comments</comments>
		<pubDate>Thu, 08 Nov 2007 03:28:32 +0000</pubDate>
		<dc:creator>Emily</dc:creator>
				<category><![CDATA[bhutan]]></category>
		<category><![CDATA[buddhism]]></category>
		<category><![CDATA[documentary]]></category>
		<category><![CDATA[film]]></category>
		<category><![CDATA[GNH]]></category>
		<category><![CDATA[Himalayas]]></category>
		<category><![CDATA[movie]]></category>
		<category><![CDATA[movies]]></category>
		<category><![CDATA[Robert Thurman]]></category>

		<guid isPermaLink="false">/?p=1</guid>
		<description><![CDATA[Taksang Monastery, Bhutan
Check out the first trailer for Bhutan: Journey with Robert Thurman, a spiritual adventure film and multimedia experience through the land that measures progress in GNH (Gross National Happiness).

]]></description>
			<content:encoded><![CDATA[<div class="photo240right"><a href="http://www.digitalelements.com/wp/projects/"><img src="http://www.digitalelements.com/wp/wp-content/uploads/2007/11/taksang.jpg" height="180" width="240" hspace="0" vspace="0" alt="Taksang Monastery, Bhutan. Photo by Emily Davidow, All Rights Reserved" /></a><br clear="all"/>Taksang Monastery, Bhutan</div>
<p>Check out the first trailer for <a href="http://www.digitalelements.com/wp/projects/"><strong>Bhutan: Journey with Robert Thurman</strong></a>, a spiritual adventure film and multimedia experience through the land that measures progress in GNH (Gross National Happiness).</p>
<p><br clear="all"/></p>
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		<slash:comments>4</slash:comments>
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		<title>Lamas and Cameras in Bhutan</title>
		<link>http://www.emilydavidow.com/wp/2007/10/lamas-and-cameras-in-bhutan/</link>
		<comments>http://www.emilydavidow.com/wp/2007/10/lamas-and-cameras-in-bhutan/#comments</comments>
		<pubDate>Sat, 13 Oct 2007 18:38:01 +0000</pubDate>
		<dc:creator>Emily</dc:creator>
				<category><![CDATA[art]]></category>
		<category><![CDATA[consumerism]]></category>
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		<guid isPermaLink="false">http://www.emilydavidow.com/wp/2007/10/13/lamas-and-cameras-in-bhutan/</guid>
		<description><![CDATA[According to &#8220;Is That a Lama Behind the Camera,&#8221; Anupama Chopra&#8217;s great article in the New York Times on Bhutan&#8217;s budding film industry, last year a record 24 films were produced in the tiny Himalayan kingdom, population 700,000; in 2003 the total was only six. Even though there were only ten films produced in the [...]]]></description>
			<content:encoded><![CDATA[<p align="center"><img src="http://www.emilydavidow.com/wp/wp-content/uploads/2007/10/muensel1.jpg" height="500" width="375" border="0" hspace="4" vspace="4" alt="muensel: true love comes and goes" title="muensel: true love comes and goes" /></p>
<p>According to  &#8220;<a href="http://www.nytimes.com/2007/10/14/movies/14chop.html?ex=1349928000&amp;en=b44b80bffd8f4765&amp;ei=5124&amp;partner=permalink&amp;exprod=permalink">Is That a Lama Behind the Camera</a>,&#8221; Anupama Chopra&#8217;s great article in the New York Times on Bhutan&#8217;s budding film industry, last year a record 24 films were produced in the tiny Himalayan kingdom, population 700,000; in 2003 the total was only six. Even though there were only ten films produced in the country in 2005, delightful movie posters announced screenings in the theaters or public halls of every town I traveled through. The article describes a trend towards song-and-dance fantasy, but the movies that caught my eye had taglines that sounded far more realistic: &#8220;Muensel — True love comes&#8230; and goes,&#8221; &#8220;Ratho Namgay — bungling along a lifetime achievement of failure,&#8221; and &#8220;Kikhor — the drama of life begins at home, within the family.&#8221; It&#8217;s clear that while the dialogue is in Dzongkha and the costumes are traditionally Bhutanese, the themes are universal.
</p>
<p><span id="more-521"></span></p>
<p class="orchidline" align="center"><img src="http://www.emilydavidow.com/wp/wp-content/uploads/2007/10/rathonamgay1.jpg" height="500" width="441" border="1" hspace="4" vspace="4" alt="ratho mangay, a film by dechen dorjee: bungling along a lifetime achievement of failure" title="ratho mangay, a film by dechen dorjee: bungling along a lifetime achievement of failure" /><img src="http://www.emilydavidow.com/wp/wp-content/uploads/2007/10/kikhor1.jpg" height="500" width="368" border="0" hspace="4" vspace="4" alt="kikhor: the drama of life begins at home within the family" title="kikhor: the drama of life begins at home within the family" />
</p>
<ul>
<li>I highly recommend Kyentse Norbu&#8217;s wonderful movie, &#8220;<a href="http://www.amazon.com/gp/redirect.html%3FASIN=B000ARG2RI%26tag=behome-20%26lcode=xm2%26cID=2025%26ccmID=165953%26location=/o/ASIN/B000ARG2RI%253FSubscriptionId=02ZH6J1W0649DTNS6002">Travellers &#038; Magicians </a>.&#8221; </li>
<li>Keep your eyes open for &#8220;Journey with Robert Thurman in Bhutan&#8221; coming soon. (You can enjoy a taste now at the <a href="http://www.bobthurmanpodcast.com">Bob Thurman Podcast</a> &#8211; the latest post, <a href="http://fyminc.typepad.com/bob_thurman_podcast/2007/10/george-lucas-in.html">Part II of his George Lucas interview</a> is fascinating.)</li>
<li>Interesting related journal article (where I found numbers for 2005): &#8220;<a href="http://www.bhutanstudies.org.bt/admin/pubFiles/14-5.pdf">Roar of the Thunder Dragon: The Bhutanese Audio-visual Industry and the Shaping and Representation of Contemporary Culture</a>&#8221; by Tshewang Dendup  in the <a href="http://www.bhutanstudies.org.bt/main/pub_detail.php?pubid=93">Journal of Bhutan Studies, Volume 14, Summer 2006</a>.</li>
</ul>
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		<title>Mira Nair &amp; Jhumpa Lahiri at NYPL</title>
		<link>http://www.emilydavidow.com/wp/2007/02/mira-nair-jhumpa-lahiri-at-nypl/</link>
		<comments>http://www.emilydavidow.com/wp/2007/02/mira-nair-jhumpa-lahiri-at-nypl/#comments</comments>
		<pubDate>Sat, 03 Feb 2007 20:01:23 +0000</pubDate>
		<dc:creator>Emily</dc:creator>
				<category><![CDATA[books]]></category>
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		<guid isPermaLink="false">http://www.emilydavidow.com/wp/2007/02/03/mira-nair-jhumpa-lahiri-at-nypl/</guid>
		<description><![CDATA[LIVE from the NYPL MIRA NAIR &#038; JHUMPA LAHIRI Saturday, March 10, 2007 at 7:00 PM Celeste Bartos Forum LIVE from the NYPL books $15 general admission and $10 library donors, seniors and students with valid identification Buy Tickets All LIVE from the NYPL events are general admission. Arrive early for best seat selection. Box [...]]]></description>
			<content:encoded><![CDATA[<h2>LIVE from the NYPL</h2>
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<h3 class="brown first">MIRA NAIR &#038;<br />
JHUMPA LAHIRI</h3>
<p>Saturday, March 10, 2007<br />
at 7:00 PM<br />
Celeste Bartos Forum</p>
<p><a target="_blank" href="http://www.thelibraryshop.org/nypllivebooks.html">LIVE from the NYPL books</a></p>
<p>$15 general admission and $10 library donors, seniors and students with valid identification<br />
<a href="https://www.smarttix.com/show.aspx?showCode=MIR0"><br />
<strong>Buy Tickets</strong></a></p>
<p style="text-align: justify" class="caption">All LIVE from the NYPL events   are general admission. Arrive early for best seat selection.    <strong>Box office opens 2 hours before the event and doors open 1 hour   before the event.</strong>    Management reserves the right to refuse admission   to latecomers.</p>
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<div id="imageright"><img border="0" alt="Jhumpa Lahiri and Mira Nair" src="http://www.nypl.org/research/calendar/imagesprog/nairlahiri.gif" /></div>
<p class="first"><em>The Richard B. Salomon Distinguished Lectures* &#038; LIVE from the NYPL present:</em></p>
<p>A conversation between Pulitzer prize-winning fiction writer <strong>Jhumpa Lahiri </strong> (<em>The Namesake</em>) and filmmaker <strong>Mira Nair</strong>, whose motion picture adaptation of <em>The Namesake</em> opens in the U.S. the preceding day.</p>
<p><strong>About Mira Nair</strong></p>
<p>Film Director Mira Nair was born in Rourkela, India. From <em>India Cabaret</em> to <em>The Laughing Club of India</em>, Nair’s documentaries paved the way for her debut feature film, <em>Salaam Bombay!</em> which was nominated for an Academy Award, a Golden Globe, and a BAFTA for Best Foreign Language film in 1988. Subsequent films include <em>Mississippi Masala</em>, <em>The Perez Family</em>, <em>Kama Sutra: A Tale of Love</em>, <em>My Own Country</em>, <em>Hysterical Blindness</em>, <em>9’ 11” 01 – September 11</em> (segment “India”), <em>Monsoon Wedding</em>, and <em>Vanity Fair</em>. In 2003, Mira Nair founded an annual filmmakers’ laboratory, Maisha, dedicated to the support of visionary screenwriters and directors in East Africa and South Asia. She also served as the mentor in film for the prestigious Rolex Protégé Arts Initiative, helping to guide young artists in critical stages of their development. Nair’s company, Mirabai Films, is currently producing a series of four films to raise awareness of the AIDS epidemic in India. Her forthcoming films include <em>The Namesake</em>, an adaptation Pulitzer Prize winning author, Jhumpa Lahiri’s debut novel, and <em>Shantaram</em> starring Johnny Depp.</p>
<p><strong>About Jhumpa Lahiri</strong></p>
<p>Jhumpa Lahiri was born in London, England to Bengali parents, and raised in Rhode Island. She has taught creative writing at Boston University and the Rhode Island School of Design. Lahiri has traveled extensively to India and has experienced the effects of colonialism there as well as experienced the issues of the diaspora as it exists. She feels strong ties to her parents&#8217; homeland as well as the United States and England. Growing up with ties to all three countries created in Lahiri a sense of homelessness and an inability to feel accepted. Her debut collection, <em>Interpreter of Maladies</em>, won the 2000 Pulitzer Prize for fiction, the PEN/Hemingway Award, the New Yorker Debut of the Year award, an American Academy of Arts and Letters Addison Metcalf Award, and a nomination for the Los Angeles Times Book Prize. It was translated into twenty-nine languages. Lahiri was awarded a Guggenheim Fellowship in 2002. <em>The Namesake</em> is Jhumpa Lahiri&#8217;s first novel.</p>
<p>*These annual lectures made possible by an endowed fund established by the friends and associates of the late Richard B. Salomon.</p>
<p>$15 general admission and $10 library donors, seniors and students with valid identification<br />
<a href="https://www.smarttix.com/show.aspx?showCode=MIR0"><br />
<strong>Buy Tickets</strong></a></p>
</td>
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		<title>links for 2006-11-22</title>
		<link>http://www.emilydavidow.com/wp/2006/11/links-for-2006-11-22/</link>
		<comments>http://www.emilydavidow.com/wp/2006/11/links-for-2006-11-22/#comments</comments>
		<pubDate>Wed, 22 Nov 2006 22:17:09 +0000</pubDate>
		<dc:creator>Emily</dc:creator>
				<category><![CDATA[culture]]></category>
		<category><![CDATA[emily approved]]></category>
		<category><![CDATA[happiness]]></category>
		<category><![CDATA[links]]></category>
		<category><![CDATA[movies]]></category>
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		<category><![CDATA[science]]></category>
		<category><![CDATA[senses]]></category>
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		<guid isPermaLink="false">http://www.emilydavidow.com/wp/2006/11/22/links-for-2006-11-22/</guid>
		<description><![CDATA[Global Orgasm &#8211; December 22nd, 2006 &#8211; Peace through Global Ecstasy Global Orgasm is an experiment open to everyone in the world. The goal is to add so much concentrated and high-energy positive input into the energy field of the Earth that it will reduce the current dangerous levels of aggression and violence throughout (tags: [...]]]></description>
			<content:encoded><![CDATA[<ul class="delicious">
<li>
<div class="delicious-link"><a href="http://www.globalorgasm.org/">Global Orgasm &#8211; December 22nd, 2006 &#8211; Peace through Global Ecstasy</a></div>
<div class="delicious-extended">Global Orgasm is an experiment open to everyone in the world. The goal is to add so much concentrated and high-energy positive input into the energy field of the Earth that it will reduce the current dangerous levels of aggression and violence throughout</div>
<div class="delicious-tags">(tags: <a href="http://del.icio.us/behomeny/sex">sex</a> <a href="http://del.icio.us/behomeny/orgasm">orgasm</a> <a href="http://del.icio.us/behomeny/peace">peace</a> <a href="http://del.icio.us/behomeny/activism">activism</a> <a href="http://del.icio.us/behomeny/global">global</a> <a href="http://del.icio.us/behomeny/politics">politics</a> <a href="http://del.icio.us/behomeny/consciousness">consciousness</a> <a href="http://del.icio.us/behomeny/energy">energy</a>)</div>
</li>
<li>
<div class="delicious-link"><a href="http://www.fairfax-avenue.com/bootlegs.php?id=B08"><img width="100" vspace="1" hspace="1" height="100" border="0" align="right" alt="Jon Brion Bootleg Intonation" title="Jon Brion Bootleg Intonation" src="http://www.emilydavidow.com/wp/wp-content/uploads/2006/11/_images_bootleg_intonation.jpg" />fairfax avenue: a jon brion resource.</a></div>
<div class="delicious-extended">oh happy day, thanks for this wonderful live recording of a <a href="http://www.fairfax-avenue.com/bootlegs.php?id=B08">great jon brion show</a>, news and leadsheets for the amazing musician who <a href="http://www.emilydavidow.com/wp/2005/05/30/gotta-start-somewhere/">kicked off this blog</a>.</div>
<div class="delicious-tags">(tags: <a href="http://del.icio.us/behomeny/music">music</a> <a href="http://del.icio.us/behomeny/jonbrion">jonbrion</a> <a href="http://del.icio.us/behomeny/bootlegs">bootlegs</a> <a href="http://del.icio.us/behomeny/mp3s">mp3s</a> <a href="http://del.icio.us/behomeny/recordings">recordings</a>)</div>
</li>
<li>
<div class="delicious-link"><a href="http://torrentfreak.com/sundance-winner-the-corporation-released-for-free-on-bittorrent/">Sundance Winner ‘The Corporation’ Released for Free on BitTorrent at Torrentfreak</a></div>
<div class="delicious-extended">Filmmakers of &#8220;The Corporation&#8221; distributing high quality rip of master DVD + bonus materials through BitTorrent for free and launched a campaign for Corporate Harm Reduction (C4CHR) to collect stories on impact of film as feedback loop on &#8220;what you can d</div>
<div class="delicious-tags">(tags: <a href="http://del.icio.us/behomeny/bittorrent">bittorrent</a> <a href="http://del.icio.us/behomeny/thecorporation">thecorporation</a> <a href="http://del.icio.us/behomeny/distribution">distribution</a> <a href="http://del.icio.us/behomeny/movies">movies</a> <a href="http://del.icio.us/behomeny/film">film</a> <a href="http://del.icio.us/behomeny/documentary">documentary</a>)</div>
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		<title>movie night with terry gilliam: toto le heros</title>
		<link>http://www.emilydavidow.com/wp/2006/10/movie-night-with-terry-gilliam-toto-le-heros/</link>
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		<pubDate>Thu, 05 Oct 2006 16:33:07 +0000</pubDate>
		<dc:creator>Emily</dc:creator>
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		<description><![CDATA[Terry Gilliam screened "Toto le Heros" (or "Toto the Hero") for a sold out audience of fans at IFC Center last night.]]></description>
			<content:encoded><![CDATA[<p><img width="240" vspace="4" hspace="4" height="180" border="0" alt="terry gilliam" title="terry gilliam" src="http://www.emilydavidow.com/wp/wp-content/uploads/2006/10/terry_gilliam_ifc.jpg" /><a href="http://www.amazon.com/gp/product/6302749301?ie=UTF8&#038;tag=behome-20&#038;linkCode=as2&#038;camp=1789&#038;creative=9325&#038;creativeASIN=6302749301"><img width="76" vspace="4" hspace="4" height="140" border="0" alt="toto le heros" title="toto le heros" src="http://www.emilydavidow.com/wp/wp-content/uploads/2006/10/totolehero.jpg" /></a><br />
<br clear="all" /><br />
<a href="http://www.imdb.com/name/nm0000416/">Terry Gilliam</a> screened a strangely wonderful movie called<a href="http://www.rottentomatoes.com/m/toto_the_hero/"> Toto le Heros</a> (&#8220;Toto the Hero&#8221;), by <a href="http://www.imdb.com/name/nm0233757/">Jaco van Dormael</a> at <a href="http://www.ifccenter.com/">IFC Center</a> last night. Waltzing up the stage behind a <a href="http://www.tidelandthemovie.com/">Tideland</a> poster/<a target="_blank" href="http://ccinsider.comedycentral.com/cc_insider/2006/10/terry_gilliam_v.html#more">begging sign he carried earlier in the day before Jon Stewart fans</a> in the <a href="http://newsinfo.iu.edu/news/page/normal/4159.html">Daily Show</a> ticket line, he introduced the movie saying he first saw it in London with <a href="http://www.imdb.com/name/nm0481418/">Richard LaGravenese</a> right after they finished <a href="http://www.imdb.com/title/tt0101889/">The Fisher King</a> in 1991. They both fell in love with it and said they would die to make a movie like this.</p>
<p>We enter the film through an apparent crime scene into the world of on old man looking back on his life with regret and a desire for revenge. Thomas (Toto) believes he was switched in a nursery fire with Alfred, the boy next door. As a result, he sees Alfred as living the life he was meant to have, and we get to see both his reality and the fantasy life he imagines was his birthright.</p>
<p>His biography unfolds as we travel back and forth between different periods of his life, played by 3 different actors. Thomas&#8217;s jealousy and sense of being a victim shape choices that create cascades of loss and keep him from enjoying his life and the love that surrounds him. Even though his trajectory seems semitragic, van Dormael takes us on a joyful and humorous ride through imagination, memory and absurdity to a surprisingly happy ending (that includes a plastic bag scene much more beautiful than the one it must have inspired in <a href="http://www.imdb.com/title/tt0169547/">American Beauty</a>).</p>
<p>After the film, Terry came back out for questions and answers. When asked if he ever wanted to be someone else. &#8220;No,&#8221; he replied, &#8220;I guess I&#8217;m rather content being miserable being me.&#8221;</p>
<p>He said his visual style had been most influenced by &#8220;watching the radio&#8221; as he grew up. He was left to his own imagination to flesh out the stories until TV arrived home at age 12.</p>
<p>He also joked he was threatening legal action against George Bush and Dick Cheney for the unauthorized remake of <a href="http://www.imdb.com/title/tt0088846/">Brazil</a> — we&#8217;re living it!</p>
<div class="orchidline"></div>
<p><strong>assorted related:</strong></p>
<p><a href="http://www.emilydavidow.com/wp/2006/08/27/death-and-the-chumby/">Ikiru</a> makes an interesting contrast and complement to <a href="http://www.rottentomatoes.com/m/toto_the_hero/">Toto Le Heros</a> on the &#8220;get busy living&#8221; theme.</p>
<p>The new <a href="http://fyminc.typepad.com/bob_thurman_podcast/2006/10/14_the_bob_thur.html">Bob Thurman Podcast</a> from his talk in Thimphu, Bhutan on &#8220;<a href="http://fyminc.typepad.com/bob_thurman_podcast/2006/10/14_the_bob_thur.html">Buddhism, Gross National Happiness and the Current Global Crisis</a>,&#8221; (Don&#8217;t you just love the scope?) resonates with themes that emerge in Toto le Heros and Terry&#8217;s talk like &#8220;what is the nature of reality,&#8221; &#8220;how to be happy&#8221; and &#8220;time, eh&#8230; not so linear,&#8221; and offers a useful realization.</p>
<p>Not so into the inevitability of your current body aging and dying? <a href="http://www.ted.com/tedtalks/tedtalksplayer.cfm?key=a_degrey">Aubrey de Grey</a> explains how he&#8217;s approaching the issue as an &#8220;engineering problem&#8221; in the latest <a href="http://www.ted.com/tedtalks/index.cfm?flashEnabled=1">TedTalks</a>. Alas, solving that &#8220;problem&#8221; creates a whole host of new issues that portend a rather dystopian universe, but then we are granted more time to figure that all out.</p>
<p>Terry Gilliam obtains the rights to Neil Gaiman&#8217;s <a href="http://www.amazon.com/exec/obidos/ASIN/0441003257/behome-20">Good Omens</a> for <a href="http://www.10zenmonkeys.com/2006/10/04/neil-gaiman-has-lost-his-clothes/">a groat</a>. (Yay! Looking forward to this movie&#8230;)</p>
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		<title>Death and the Chumby</title>
		<link>http://www.emilydavidow.com/wp/2006/08/death-and-the-chumby/</link>
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		<pubDate>Sun, 27 Aug 2006 10:58:19 +0000</pubDate>
		<dc:creator>Emily</dc:creator>
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		<description><![CDATA[I was checking out what's new on Gretchen's Happiness Blog and noted August was all about memento mori, remembering we will die.]]></description>
			<content:encoded><![CDATA[<p><a href="http://www.amazon.com/exec/obidos/redirect?link_code=as2&#038;path=ASIN/B00005JLMU&#038;tag=behome-20&#038;camp=1789&#038;creative=9325"><img width="350" vspace="4" hspace="4" height="180" border="0" alt="IKIRU criterion collection still" title="IKIRU criterion collection still" src="http://www.emilydavidow.com/wp/wp-content/uploads/2006/09/_content_images_featured_dvd_221_feature_350x180.jpg" /></a></p>
<p>I was catching up on Gretchen Craft Rubin&#8217;s wonderful <a href="http://www.happiness-project.com/">Happiness Project</a> and noting August was all about <em>memento mori</em> (&#8220;remember you must die&#8221;), when my brother walked in and asked if I wanted to see a great movie, <a href="http://www.amazon.com/exec/obidos/redirect?link_code=as2&#038;path=ASIN/B00005JLMU&#038;tag=behome-20&#038;camp=1789&#038;creative=9325">Ikiru</a> (&#8220;To Live&#8221;), about a man who learns he is dying of stomach cancer and realizes he hasn&#8217;t really lived yet at all. I found myself completely engrossed (closed my laptop!) in Kurosawa&#8217;s beautiful, timeless, moving film and repeating scenes so I could enjoy them again.<br />
<a href="http://www.chumby.com"><img width="80" vspace="4" hspace="4" height="80" border="0" align="right" alt="i heart chumby" title="i heart chumby" src="http://www.emilydavidow.com/wp/wp-content/uploads/2006/09/chumbyheart.gif" /></a></p>
<p>One scene that touched me was Toyo explaining to Kanji the happiness she derived from making toys that other people would enjoy. I couldn&#8217;t help but think of <a href="http://www.chumby.com">Chumby</a>! I know <a title="Stumbling on Happiness by Daniel Gilbert" href="http://www.amazon.com/gp/redirect.html%3FASIN=1400042666%26tag=behome-20%26lcode=xm2%26cID=2025%26ccmID=165953%26location=/o/ASIN/1400042666%253FSubscriptionId=02ZH6J1W0649DTNS6002">it won&#8217;t make me as happy as I think it will</a>, and I&#8217;ve come to <a title="Open to Desire: Embracing a Lust for Life Insights from Buddhism and Psychotherapy by Mark Epstein" href="http://www.amazon.com/gp/redirect.html%3FASIN=1592401082%26tag=behome-20%26lcode=xm2%26cID=2025%26ccmID=165953%26location=/o/ASIN/1592401082%253FSubscriptionId=0EMV44A9A5YT1RVDGZ82">appreciate the desire itself</a> without requiring its fulfillment. Nonetheless, I want a Chumby to wake up, play with and make fun mods for&#8230; now!</p>
<p><strong>Bonus: </strong><a href="http://fyminc.typepad.com/bob_thurman_podcast/2006/08/7_the_bob_thurm.html">Meditate on your death</a> with <a href="http://www.bobthurman.com">Bob Thurman</a> in the beautiful temple of the tigress lair, <a href="http://www.flickr.com/photos/emilyd/63979469/">Taktsang Monastery</a> in Paro, Bhutan.</p>
<p><strong>Ikiru</strong>, Directed by Akira Kurosawa on <a href="http://www.amazon.com/exec/obidos/redirect?link_code=as2&#038;path=ASIN/B00005JLMU&#038;tag=behome-20&#038;camp=1789&#038;creative=9325">Amazon</a>, <a href="http://www.imdb.com/title/tt0044741/">IMDB</a>, <a href="http://en.wikipedia.org/wiki/Ikiru">Wikipedia</a>, <a href="http://www.criterionco.com/asp/release.asp?id=221">Criterion Collection</a>, <a href="http://www.time.com/time/2005/100movies/0,23220,ikiru,00.html">Time&#8217;s all-time 100 movies</a>.</p>
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		<title>on the love that dare not print its name in helvetica (or god forbid, arial)</title>
		<link>http://www.emilydavidow.com/wp/2006/01/on-the-love-that-dare-not-print-its-name-in-helvetica-or-god-forbid-arial/</link>
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		<pubDate>Mon, 02 Jan 2006 03:26:12 +0000</pubDate>
		<dc:creator>Emily</dc:creator>
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		<description><![CDATA[Hilarious little article in the NYT today on type anachronisms in film, &#8220;Good Film, Shame About the Helvetica,&#8221; featuring link to Mark Simonson&#8217;s Typecasting article. (Note also the ongoing notebook of sightings.*) As one who can&#8217;t help recognizing and calling out the name of the typefaces in the world around me, I&#8217;m not ashamed to [...]]]></description>
			<content:encoded><![CDATA[<p>Hilarious little article in the NYT today on type anachronisms in film, &#8220;<a href="http://www.nytimes.com/2006/01/01/movies/01edidin.html">Good Film, Shame About the Helvetica,&#8221;</a> featuring link to Mark Simonson&#8217;s <a href="http://www.ms-studio.com/typecasting.html">Typecasting</a> article. (Note also the <a href="http://www.marksimonson.com/?c=Son+of+Typecasting">ongoing notebook of sightings</a>.*)  As one who can&#8217;t help recognizing and calling out the name of the typefaces in the world around me, I&#8217;m not ashamed to declare my membership in &#8220;the subset of a subset of a subset of society&#8221; that cares. </p>
<p>Aside from love letters, money and presents, nothing received in the mail thrills me more than type catalogs.** Flopping on my bed with the latest offerings from <a href="http://www.emigre.com/">Emigre</a> and <a href="http://www.t26.com/fonts.php">T-26</a> triggers a flight of fancy, imagining what publication, idea or product could embody the essence of each typeface.</p>
<p>* I&#8217;m also fond of a <a href="http://www.skinema.blogs.com/">skinema</a>, a dermatologist&#8217;s blog that tracks skin conditions and the meanings we ascribe to them in films.<br />
** Until recently. It seems garden <a href="http://www.whiteflowerfarm.com/">plant</a> and <a href="http://www.seedsofchange.com/">seed</a> catalogs have started inspiring the same full sensory fantasies i used to feel only for type. Sorry type.</p>
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		<title>Quick Recommendations</title>
		<link>http://www.emilydavidow.com/wp/2005/06/quick-recommendations/</link>
		<comments>http://www.emilydavidow.com/wp/2005/06/quick-recommendations/#comments</comments>
		<pubDate>Sat, 18 Jun 2005 18:47:45 +0000</pubDate>
		<dc:creator>Emily</dc:creator>
				<category><![CDATA[art]]></category>
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		<description><![CDATA[Art: nyc: Sarah Sze&#8216;s truly amazing universe at Marianne Boesky Gallery through July 1. nyc: Dominic McGill&#8217;s graphic exploration of ideas profligating in the universe from the triangulation point of November 22, 1963 (day that JFK, Aldous Huxley and C.S. Lewis all died) at Derek Eller Gallery through May 25. nyc: Sophia Petrides&#8217; quiet video [...]]]></description>
			<content:encoded><![CDATA[<p>Art:</p>
<ul>
<li>nyc: <a href="http://www.marianneboeskygallery.com/index2.php?id=1&#038;artist=&#038;page=1&#038;num_pages=4">Sarah Sze</a>&#8216;s truly amazing universe at <a href="http://www.marianneboeskygallery.com">Marianne Boesky Gallery</a> through July 1.</li>
<li>nyc: <a href="http://www.derekeller.com/dominicmcgill.html">Dominic McGill&#8217;s</a> graphic exploration of ideas profligating in the universe from the triangulation point of November 22, 1963 (day that JFK, Aldous Huxley and C.S. Lewis all died) at <a href="http://www.derekeller.com">Derek Eller Gallery</a> through May 25.
</li>
<li>nyc: <a href="http://www.larissagoldston.com/work.aspx?ExhibitionID=4">Sophia Petrides&#8217;</a> quiet video meditation &#8220;I Am Protected By Your Fear&#8221; at <a href="http://www.larissagoldston.com/gallery.aspx">Larissa Goldstson Gallery</a> through July 1.</li>
<li>web: Karma Phuntsok and Gonkar Gyatso<br />
at <a href="http://www.mechakgallery.com">Mechak Center for Contemporary Art</a></li>
</ul>
<p>Movie:
<ul>
<li>Miyazaki&#8217;s magnificent <a href="http://www.rottentomatoes.com/m/howls_moving_castle/">Howl&#8217;s Moving Castle</a></li>
</ul>
<p>Irresistible summer pop:
<ul>
<li><a href="http://www.amazon.com/exec/obidos/redirect?link_code=ur2&#038;camp=1789&#038;tag=behome-20&#038;creative=9325&#038;path=ASIN/B0009IORC0">Anniemal</a> by Annie</li>
</ul>
<p><!-- technorati tags start -->
<p style="text-align:right;font-size:10px;">Technorati Tags: <a href="http://technorati.com/tag/art" rel="tag">art</a>, <a href="http://technorati.com/tag/music" rel="tag">music</a>, <a href="http://technorati.com/tag/movie" rel="tag">movie</a></p>
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