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Posted on 06.18.08 by Emily
What’s tree-fitty? Loch Ness Monster: $3.50 Global Climate Crisis: 350 is the red line for human beings, the most important number on the planet. The most recent science tells us that unless we can reduce the amount of carbon dioxide in the atmosphere to 350 parts per million, we will cause huge and irreversible damage to the earth. Where are we now? About 385. Learn more, connect with others and take action at the newly relaunched 350.org founded by Bill McKibben, author of Deep Economy (one of the most compelling and inspiring books I am reading right now.)
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Posted on 03.15.08 by Emily
Oprah’s online book club event with Eckhart Tolle for A New Earth: Awakening to Your Life’s Purpose is truly wonderful. You can watch it on her site, download (video, audio and transcript) or subscribe to the podcast in iTunes. The most exciting part is the use of Skype, allowing people from all over the world to participate in the live event using video chat. Whether you’re interested in the topic, technology or both, it’s worth registering (free) to see how it works and check out the extended materials. In the amazing TED Talk above, Dr. Jill Taylor (author of My Stroke of Insight: A Brain Scientist’s Personal Journey) reaches the insights Oprah and Eckhart discuss through a stroke. As a neuroanatomist, she was able to observe her own stroke from the inside out. She uses a real human brain as a prop, showing how differently the left and right hemispheres experience the world, outlining an anatomy of enlightenment and “circuitry of peace.” Her talk highlighted for me how we are literally out of balance individually and collectively. “Modern” education focuses almost solely on the left brain and undervalues development of the right side. We need to develop the whole thing and use everything we’ve got. Bring back arts, music and movement and add in meditation. (Of course, if you use more than 5% of your brain, you don’t want to be on Earth anymore…)
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Posted on 03.04.08 by Emily
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Posted on 02.20.08 by Emily
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Posted on 02.19.08 by Emily
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Posted on 02.12.08 by Emily
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Posted on 02.09.08 by Emily
NextCity: The Art of the Possible took place last night at the New Museum of Contemporary Art as part of the New Silent series sponsored by Rhizome, which looks at the ways digital technologies have fundamentally altered our lives and experiences of urban space. Adam Greenfield, author of Everyware: The Dawning Age of Ubiquitous Computing, Speedbird, Urban Computing and its Discontents, and the upcoming The City is Here for You to Use, moderated an excellent panel discussion that included Christian Nold (who we loved at Pop!Tech), Eric Rodenbeck of Stamen Design, and J. Meejin Yoon of MY Studio and Howeler + Yoon Architecture. Here are the notes I took during the talk: Adam Greenfield’s imagining metropolitan form and experience in the age of ambient informatics. What does it look like after the PC? He’s teaching a course at NYU’s ITP called Urban Computing with Kevin Slavin of Area/Code. They take as an assumption that in the near future, that which will primarily condition choice is not the physical, but a data overlay. What are the qualities of this data-gathering layer?
Examples of these technologies:
We now can see tremendous amount of information about cities, patterns of use and visualize them in new ways. Information can be made available locally in a way that it can be acted upon. For example, receiving an alert that says, “Hey! You’re about to enter a high crime/bad air quality area”. The result is a city that responds to the behavior of the people in it in real time. Christian Nold is interested in embodiment and how we are embodied in the city. He recently had an experiment going through customs where he had to have his fingers scanned, but they were too sweaty for the machine to work from his running to catch a flight. We are encountering all kinds of new systems for dealing with our bodies.
When you go from the individual to the aggregate, you start to see some wonderful patterns, which Nold delightfully termed “communal arousal surfaces.” Each city is different. In Stockport, people were hardly aware that they had a river running through town, since it was covered by a bridge and shopping area that dominates the town. The map also showed that the social heart of the city was still in the old market area.
The San Francisco Emotion Map (see above) featured a lot of people’s memories being embedded in a particular place. Another interesting highlight is murals. People care about and enjoy them, but they don’t show up on any other maps or tourist guides. His projects are shifting away from art to local town planning and community activism. A recent project included handing out decibel meters to a community concerned with noise from an airport. The government measured acceptable levels of noise, but their information was based on one or two sensors placed on the road intermittently. The situation looks totally different when you base it on real data.
Eric Rodenbeck struggled at first to get the display connected and working with his Macbook Pro. This gave Adam an opportunity to point out that these ubiquitous technologies are sold as “seamless” and “perfect.” In the real world, technology breaks constantly, always and reliably. Plan on it. And push back when you see promises of perfection.
Once connected, Eric began explaining that mapping and data visualization is a medium with a wide expressive potential used for all kinds of things, including deception. He used as an example a map of red and blue states in the 2004 U.S. elections. It looks binary and grim with a blue “Baja Canada” and the rest red, showing little hope for a “United” States. But then we look by county, on a color spectrum from Democratic Blue to Republican Red and see that really we’re quite reddish-purple. And when you adjust it to show each county proportional to the population, as in the cartogram above, we see it’s even more mixed and widely democratic. Roedenbeck’s interested in the idea that data visualization and mapping is the intersection of analysis and spectacle. Spectacle in this case meaning assertive, robust, active, specctacular and exciting. As a medium, data visualization is live, vast and deep. Stamen creates frames and structures that let you drive through data.
Cabspotting.org captures GPS data from Yellow Cab taxis in San Francisco. When looking at the paths, we see their flows defining the streets or arteries of a system that can only be described as a heart. (Pictured above, but watch the time lapse movie for full effect.) Other projects discussed: Mapping of development in Plano, TX for Trulia Crimespotting in Oakland, California illustrates how these are not politically neutral. How public should public information be? Eric recommends Modest Maps, a free display library for designers and developers who want to use interactive maps in their own projects. J. Meejin Yoon asks “How do you physicalize ideas?” She’s interested in play - working with our own rules and restrictions. In architecture, the term “play” refers to the gap between two materials. The defensible dress project was inspired by her experience with commuting in Seoul. Sensors detect someone approaching the wearer and trigger quills made from Flexinol wire to define the wearer’s personal space. Other projects discussed: White Noise White Light, an interactive light and sound field created for the 2004 Athens Olympics. LowRezHiFi, a sidewalk and lobby installation in Washington D.C. with an interactive sound field and transparent field of pixels that displays information and registers movement as you pass by it. Adam kicked off the discussion following the presentations by pointing out how this is becoming a politically charged issue. Recently, NYC council members drafted legislation requiring anyone who has a detector that measures chemical, biological or radioactive agents to get a license from the police department. This would stifle collection of environmental info vital to common good. The challenge is how to get community gathered data to be taken seriously? Lots of great questions were asked. If you have answers, get in touch!
In Brixton, Christian Nold’s helping develop Abundance, an urban agriculture project to create a resilient community and social cohesion in the face of climate change and other challenges. Adam Greenfield spoke of reading The Great Good Place, a book about the informal and social third place after home and work, in Starbucks, the chain inspired by it. Everyone in the place was mediated, either plugged into headphones and a music device or staring into a laptop computer. He used to joke of the need for a chain of cafes called Faraday’s, after the Faraday cage, an enclosure painted to block all electrical signals. It’s not a joke anymore. How do you find a way off the network? The current attitude towards these technologies is “isn’t it a shame that the rich have access and the poor don’t.” Pretty soon, the measure of grandeur and privilege will be to not have to expose yourself to these networks. Eric explains how Fundrace.org made public information on people’s political donations along with their addresses easily available, causing neighbors to break out into fights. As problematic as any one data source may be, once you start mapping relations between multiple sources, things start to get troubling. For example, mash Fundrace up with capacitors that measure your treads as you walk and can distinguish individuals, and you can imagine doors may for some people and others won’t know they exist. Where is the line on what’s acceptable? In South Korea and Japan, we see more acceptance and fewer articulated fears (but few good explanations). One pilot in the U.S. asked kids to wear nametags with RFID. PTA called an urgent meeting and physically removed it from the schools. These are not neutral technologies but “technosocial assemblages” that can’t be decoupled. And what happens if it all goes away? Adam thinks about Marshall McLuhan’s idea from Understanding Media: Every technological invention or extension is also an amputation. The degree we get used to it is precisely the degree to which we lose our native capabilities. We have some agency and some responsibility:
N.B. The next event in the series takes place in March, and it looks like a fantastic panel of artists working with biotechnology curated by the fabulous Régine Debatty.
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Posted on 10.22.07 by Emily
Adrian Bowyer demonstrating RepRap version 1.0 “Darwin” at Pop!Tech 2007. Photo by Medea Material, some rights reserved.Adrian Bowyer presented RepRap, an erector set that will change the world, as part of the “Innovation from the Bottom Up” panel at Pop!Tech 2007. This open source, self-replicating rapid-prototyping machine uses a biodegradable material, polylactic acid, made from fermenting starch. This means you can use local resources to make and supply it, then compost the articles when you’re finished to fertilize crops for future batches of material. This deeply subversive technology makes manufacturing more like agriculture and brings it to everyone. If widely adapted, it would lead to more great products but less need for factories, goods transport and fossil fuels. It might even make a dent in the entire concept of money. Version 1.0 “Darwin” can produce simple plastic products, but the next generation in development will be able to build electromechanical devices as well.
Technorati Tags: design, poptech2007, rapidprototyping, sustainability
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Posted on 10.22.07 by Emily
Stockport Emotion Map by Christian Nold, from presentation on “The Human Impact” at Pop!Tech 2007 conference.Christian Nold looks at cities… differently. Most people go around cities with their head down. 50% of people live in them, yet they are more a concept than anything else. Nold posits cities are a consensual hallucination. Historically, maps personified rivers and trees, and activities were embodied within the artful human-scale maps. How can we represent people again and all their human interactions? Nold has been exploring these ideas through biomapping, participatory sensory mapping, for the last 4 years. The first projects began with blindfolding people and having them explore their local area. The main thing they noticed was smells. Now he uses a biomapping device that measures physiological arousal, how are bodies react to the world. Chris Nold’s biomapping device consists of a Galvanic Skin response sensor/data logger and a commercial GPS unit. The data is then loaded into Google Earth.
Nold notes that young people he encounters often don’t value their own perceptions and stresses how important it is to see themselves on the map. It’s important to visualize that you matter and also that you make up part of a larger place. The map helps show conflict and situations where some of the aspects are difficult to see and even contradictory. People begin to recognize cities as personal stories of place, get stimulated by their own experiences and start talking about their own stories. It makes a compelling entry point for civic engagement. Personally, biomapping has made Nold more aware of his own behavior, life and level of association. He used to think of himself as an individual or mass, but now sees himself as a member of groups and small societies and sees social change happening most effectively at that level of organization. The next day, Jonathan Harris presented his exploration of human emotions on the Web, We Feel Fine, that also tracks location data. I’d love to see a dynamic emotional map generated by a Google Earth mashup with the We Feel Fine data. I wonder if Nold has tried biomapping any other urban species? What does Paris really look like to the rats? I have often imagined Cosmo’s canine map of NYC’s West Village. No electronic device is required to map his arousal level; it spikes at every venue that has ever dispensed treats, along with pet food stores, farmers markets, veterinarians, dog-friendly cafes, parks and patches of grass.
Technorati Tags: activism, art, design, information visualization, maine, photography, poptech2007
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Posted on 10.21.07 by Emily
Recommended musical accompaniment: Deep Water (iTunes) by Seal Claire Nouvian sailing in Penobscot Bay for a session on “Oceans in Balance” at Pop!Tech, off the coast of Maine. (More photos from Pop!Tech 2007)Claire Nouvian, a documentary filmmaker, thinks really deep thoughts about the ocean and its inhabitants. She’s especially concerned about how we relate to ecosystems that are far removed from our own. Even though oceans represent about 99% of the planet, they have only been looked at in detail since the 1950’s, and we’ve only sampled about 0.5% of the surface. The ocean remains the last frontier.
Because the deep sea is remote both horizontally — you have to go over the continental shelf before you go down to the depths — and vertically, it is literally out of sight and out of mind. Alas, it is not out of harms way. Creatures we haven’t even discovered yet are under threat from deep sea mining, deep sea dumping, co2 sequestration, ocean acidification, methane & oil exploitation and bottom trawling. Why should we care? Sure there are boundless medicinal and biotech discoveries to be made, but aesthetics alone are reason enough for Nouvian. And they are breathtaking. Tim Burton, HR Giger and George Lucas have nothing on nature. On the very first look through her magnificent book, The Deep: The Extraordinary Creatures of the Abyss, I fell completely in love. As it turns out, the deep sea is where the creatures from our wildest dreams live. But seduction always has a price… once you fall in love, you’ll want to protect them. And Nouvian argues there’s no just reason not to do so: deep sea trawling provides only 5% of the worldwide catch and only 300 or 400 ships engage in the $400 million per year industry. Nouvian argued that we are “destroying a unique, unassessed planetary heritage at unprecedented speed and scale in an irreversible manner for no reason but the increased profit of a handful of people.” Nouvian recommends checking out SeaAroundUs.org, SaveTheHighSeas.org (the website of the Deep Sea Coalition), eating less fish and using seafood watch cards, and her new organization: the Bloom Association which aims to link people with the deep sea, rousing emotions through beauty.
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Showing a sensory homunculus (see right), a model of what a man’s body would look like if each part grew in proportion to the area of the brain concerned with its sensory perception, Christian asks us to start thinking in terms of sensory commons rather than public space. Public space no longer exists as interactions become more mediated than ever. How much control do we have? How much agency do we have? (Right now, more than people know.)




Adrian Bowyer demonstrating RepRap version 1.0 “Darwin” at Pop!Tech 2007. Photo by 

Claire Nouvian sailing in Penobscot Bay for a session on “Oceans in Balance” at 

