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Posted on 02.21.08 by Emily
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Posted on 02.18.08 by Emily
I had the pleasure of getting to know the dynamic Amra Tareen last month (over a weekend of women in tech hosted by Mary Hodder) and learn about the exciting development of AllVoices.com Currently she’s in Lahore, covering the Pakistan election and launching the site. Walter Lippmann observed in 1922 in his book Public Opinion:
Providing multiple points of view by inviting mobile voice and text messages, images and videos from the field and weaving them with local and regional news stories, wire services and blog posts, Allvoices creates context around local events and begins to make a clearer picture of reality. You can see the human dimension of local events with unedited, unmediated news from the street alongside that from multiple media outlets. Everyone can participate by contributing news, asking questions and discussing with others on the site. This is a great example of a new kind of top-down bottom-up hybrid that Kevin Kelly describes in his recent article “The Bottom is Not Enough” and what can happen when, as Clay Shirky writes, Here Comes Everybody.
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Posted on 01.25.08 by Emily
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Posted on 10.26.07 by Emily
 Mocha cream cake from Maira Kalman’s mother’s bakery on Johnson Avenue in Riverdale, NY (see p.246-247), served at a celebration for the release of The Principles of Uncertainty at the NYPL. Do you engage with pleasure, curiosity, fun and celebration (with time for naps) in the face of the tragedy of the day? Do you want to? This is the book for you. Maira Kalman’s delightful new release, The Principles of Uncertainty, turns out to be a heavy book. Mostly physically. Kalman says it’s because the book is extensively inked: “all the colors are in there.” Even if you’ve been following this year-long illustrated journal at the New York Times, the high-resolution images of her gouache paintings are undeniably gorgeous in print. (Even more so in person at the Julie Saul Gallery through November 24, 2007.) Aside from the inherent pleasures of the portable printed format, the book offers a few bonuses to those already familiar with the images:
Kalman celebrated the release of the book at the New York Public Library with a 37.5 minute conversation with Paul Holdengräber, followed with 3 songs composed by Nico Muhly, and cake instead of questions. Instead of questions from the audience, that is. All Maira’s works wrestle with the eternal existential dilemma: “We are here now, and we are not going to be here at a certain point, so what is that about?” and the natural corollary, “What would we do all day long, forever?” I don’t know what we’ll do forever, but I highly recommend checking out how Kalman observes the world, “making sense and then nonsense” out of it with grace, gratitude and joie de vivre, today.
Filed under: art and books and creativity and culture and design and emily approved and food and funny and happiness and love and music and nyc and people and product review and typography and women Comments: 1 Comment
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Posted on 10.21.07 by Emily
Recommended musical accompaniment: Deep Water (iTunes) by Seal  Claire Nouvian sailing in Penobscot Bay for a session on “Oceans in Balance” at Pop!Tech, off the coast of Maine. (More photos from Pop!Tech 2007)Claire Nouvian, a documentary filmmaker, thinks really deep thoughts about the ocean and its inhabitants. She’s especially concerned about how we relate to ecosystems that are far removed from our own. Even though oceans represent about 99% of the planet, they have only been looked at in detail since the 1950’s, and we’ve only sampled about 0.5% of the surface. The ocean remains the last frontier.
Because the deep sea is remote both horizontally — you have to go over the continental shelf before you go down to the depths — and vertically, it is literally out of sight and out of mind. Alas, it is not out of harms way. Creatures we haven’t even discovered yet are under threat from deep sea mining, deep sea dumping, co2 sequestration, ocean acidification, methane & oil exploitation and bottom trawling. Why should we care? Sure there are boundless medicinal and biotech discoveries to be made, but aesthetics alone are reason enough for Nouvian. And they are breathtaking. Tim Burton, HR Giger and George Lucas have nothing on nature. On the very first look through her magnificent book, The Deep: The Extraordinary Creatures of the Abyss, I fell completely in love. As it turns out, the deep sea is where the creatures from our wildest dreams live.
But seduction always has a price… once you fall in love, you’ll want to protect them. And Nouvian argues there’s no just reason not to do so: deep sea trawling provides only 5% of the worldwide catch and only 300 or 400 ships engage in the $400 million per year industry. Nouvian argued that we are “destroying a unique, unassessed planetary heritage at unprecedented speed and scale in an irreversible manner for no reason but the increased profit of a handful of people.” Nouvian recommends checking out SeaAroundUs.org, SaveTheHighSeas.org (the website of the Deep Sea Coalition), eating less fish and using seafood watch cards, and her new organization: the Bloom Association which aims to link people with the deep sea, rousing emotions through beauty.
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Posted on 10.17.07 by Emily
 Enric Sala, Claire Nouvian and Marcia McNutt in Penobscot Bay, off the coast of Maine. (More photos from Pop!Tech 2007)On a Wednesday session preceding the Pop!Tech conference last week, a group of participants sailed from Camden, Maine through Penobscot Bay on the Appledore schooner with Marcia McNutt, Claire Nouvian, Enric Sala and Ted Ames. Ames, Nouvian and Sala talked about sustainable fishing and ways to encourage resilient ecosystems. Then McNutt spoke up. With dark sunglasses and a hooded black coat shielding her against the wind, the President and CEO of the Monterey Bay Aquarium Research Institute looked a bit like the grim reaper as she offered a vivid analogy to understand the impact of bottom trawling and tuna farming: “We clear-cut a forest to catch a deer. Then we feed the deer to tigers, and finally, we eat the tigers.” We’re not just taking the fish out of the ocean, but we’re also destroying the ability to regenerate habitat. Even if we stop trawling the ocean, it may not recover. While the imagery of empty oceans sunk in, she got down to business, explaining that in the long term, ocean acidification dwarfs any fishing issues and even global warming. Most of the discussions about climate change seem to be around our human habitat and atmosphere over land, but approximately 71% of the earth’s surface is covered by water. The rising amount of carbon dioxide (CO2) in our atmosphere will profoundly affect everything from top to bottom, from microbes to whales in several ways:
Ocean acidification in particular is bad for all species. There will be losers and big losers. Species with calcium carbonate shells and skeletons, such as clams, sea urchins, corals and microscopic plants that make up the base of the ocean food chain, will Microbial life will dominate the ocean — they are the only species that evolve fast enough. intact ecosystems are more resilient to climactic change. McNutt recommends Reading Jared Diamond’s book, Collapse: How Societies Choose to Fail or Succeed to get an understanding of the big issues. She noted that humans seem to have a goldfish memory when it comes to the oceans, so learn all you can, teach your children well and vote for action around climate and pollution issues.
Technorati Tags: climate change, maine, ocean acidification, oceans, poptech2007, marcia mcnutt, sustainability
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Posted on 10.13.07 by Emily
This week, I’m excited to participate in Pop!Tech (October 17-20 in Camden, Maine), exploring some of the many ways human beings impact — and are impacted by — the world and each other. The lineup looks phenomenal. The other exciting news is that you can participate wherever you are, as it’s being webcast live. If I wasn’t headed to Maine just as the fall foliage nears the peak and/or was able to clone myself, I would be at:
Om Malik points out some other events this week I look forward to following online:
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Posted on 07.31.07 by Emily
ROFLOL from Hanna Gersen’s “Sigh,” a hilarious mad-libbed urban feminist reframing of Allen Ginsberg’s “Howl.“
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